Os elementos paratextuais na osmía de Teresa de Mello Breyner

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Eras Pub Date : 2010-12-30 DOI:10.37334/ERAS.V1I3.23
Rita Gisela Martins de Azevedo
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引用次数: 0

Abstract

In this article we will analyze the “indications” posted by Teresa de Mello Breyner in her tragedy Osmia , awarded and published by the Royal Academy of Sciences of Lisbon in 1788. Therefore, we will see elements as varied as the scenery, the gestures, the scenic space, interpretation, and costumes. In our view, this specific indications may suggest the playwright theatrical vision and are meaningful to the reader and the director, because they allow to imagine the atmosphere of the time and the space where the action will take place. Resumo Neste artigo analisaremos os elementos paratextuais, ou seja, as didascalias inseridas por Teresa de Mello Breyner na sua tragedia Osmia , premiada e publicada pela Real Academia de Ciencias de Lisboa em 1788. Veremos, consequentemente, elementos tao diversos como o cenario, a gestualidade, a movimentacao no espaco cenico, e outrossim aderecos, vestuario e figurinos. Em nosso entender, as didascalias sao significativas da visao teatral de qualquer autor de teatro e constituem indicacoes significativas para o leitor e para o encenador, pois sao passiveis de ajuda-los a imaginar o ambiente da epoca e o espaco aonde a accao decorrera.
梅洛·布雷纳的《特蕾莎的锇》中的准文本元素
在本文中,我们将分析Teresa de Mello Breyner在1788年由里斯本皇家科学院授予并出版的悲剧《Osmia》中所发布的“迹象”。因此,我们将看到各种各样的元素,如布景、手势、景观空间、解说和服装。在我们看来,这些具体的指示可能暗示了剧作家的戏剧视野,对读者和导演都有意义,因为它们允许想象时间的氛围和行动发生的空间。1788年,《里斯本皇家科学学院》首次出版了《里斯本皇家科学学院》,并在《里斯本皇家科学学院》上发表了《里斯本皇家科学学院》。Veremos,后果,元素,不同的场景,一种姿态,一种运动,一种空间,一种外在的广告,一种服装,一种形象。如果一个人的精神状态是重要的,他的精神状态是重要的,他的精神状态是重要的,他的精神状态是重要的,他的精神状态是重要的,他的精神状态是消极的,他的精神状态是消极的,他的精神状态是消极的,他的精神状态是消极的,他的精神状态是消极的。
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Eras
Eras HUMANITIES, MULTIDISCIPLINARY-
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