Food, Eating, and Narrativization of Identity in Margaret Atwood’s Lady Oracle

IF 0.1 0 LITERATURE
Anafora Pub Date : 2022-01-01 DOI:10.29162/anafora.v9i1.4
Zakarya Bezdoode, Sarisa Rahimi
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引用次数: 0

Abstract

The present paper seeks to explore the significance of eating in the process of identity formation in Margaret Atwood’s Lady Oracle and its effects upon Joan, the female protagonist of the novel. Based on the findings of Susie Orbach (1946), Joan appears to have developed an ambivalent relationship with food from a very early age. Once she decides to lose weight and turn into what the society has always demanded her to look like, she develops an identity crisis which is reflected in her literary production. There are several barriers in the process of Joan’s identity formation that reveal themselves later in her narratives as an author. The focus of this study is to shed light on this problematic process of being a female author coping with nutritional insecurities.
玛格丽特·阿特伍德《女祭司》中的食物、饮食与身份叙事
本文试图探讨在玛格丽特·阿特伍德的小说《女祭司》中,饮食在身份形成过程中的意义及其对小说女主角琼的影响。根据Susie Orbach(1946)的发现,Joan似乎从很小的时候就对食物产生了一种矛盾的关系。一旦她决定减肥,变成社会一直要求她的样子,她就会产生一种身份危机,这种危机反映在她的文学作品中。在琼的身份形成过程中有几个障碍,这些障碍后来在她作为作者的叙述中显露出来。本研究的重点是阐明作为一名女性作者应对营养不安全感的问题过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anafora
Anafora LITERATURE-
CiteScore
0.10
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1
审稿时长
20 weeks
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