Remembering the Past: A Conversation with Afolabi Adesanya as Film Exhibitor

Q3 Arts and Humanities
A. Agina
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引用次数: 0

Abstract

Abstract:Afolabi Adesanya is known as a Nigerian filmmaker and a policy maker, but not as an exhibitor. His experiences at the first film exhibition company in Nigeria, the West African Pictures Company Limited (WAPCo Ltd.), have never been documented. Established in the 1930s by Syrian Lebanese brothers, the company’s ownership changed in the 1970s with the Indigenization Decree. Little is known of the early history of the company or its contributions to cinemagoing and film consumption in Nigeria; hence, Adesanya’s account of the period while he was at the helm of WAPCo Ltd. (2001–2005) is invaluable. In this interview conducted at the National Arts Theatre in Lagos, the first purpose-built multiplex facility in Nigeria, Adesanya reflects on the challenges of directing a cinema company that was bought by a real estate firm solely interested in turning a profit. It brings to the fore one of the reasons for the decline in cinemagoing in the 1980s and 1990s, which is the dearth of trained cinema business personnel and infrastructure.
回忆过去:与阿弗拉比·阿德萨尼亚作为电影放映者的对话
摘要:Afolabi Adesanya是尼日利亚著名的电影制作人和政策制定者,而不是参展商。他在尼日利亚第一家电影放映公司西非电影有限公司(WAPCo Ltd.)的经历从未被记录在案。该公司由叙利亚的黎巴嫩兄弟于20世纪30年代创立,在20世纪70年代,随着本土化法令的颁布,公司的所有权发生了变化。人们对该公司的早期历史知之甚少,也不知道它对尼日利亚观影和电影消费的贡献;因此,Adesanya对他在WAPCo Ltd.掌舵期间(2001-2005)的描述是无价的。在拉各斯的国家艺术剧院(尼日利亚第一个专门建造的多厅影院)进行的这次采访中,Adesanya反思了执导一家电影公司所面临的挑战,这家电影公司被一家只想盈利的房地产公司收购。这凸显了20世纪80年代和90年代观影人数下降的原因之一,即缺乏训练有素的影院业务人员和基础设施。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Black Camera
Black Camera FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
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