Death, the Gothic, and popular music: Some reflections on why popular music matters

IF 0.2 4区 哲学 0 RELIGION
TEMENOS Pub Date : 2016-06-01 DOI:10.33356/TEMENOS.58356
C. Partridge
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引用次数: 1

Abstract

I pointed out that in previous centuries memento mori exhortations, while popular, were hardly necessary. One’s mortality was all too obvious. However, things are rather different in modern Western societies. Modernity has made the Grim Reaper persona non grata. Death and decay are sequestered in hospitals, hospices, mortuaries, and cemeteries, and much cultural energy is expended developing strategies to obscure and to sanitise the brutal facts of mortality. But still, we are, of course, haunted by the inevitability of death. How could we not be?
死亡、哥特与流行音乐:关于流行音乐重要性的一些思考
我指出,在过去的几个世纪里,死亡警告的劝诫虽然很流行,但几乎没有必要。一个人的死亡是显而易见的。然而,在现代西方社会,情况却大不相同。现代社会让“死神”这个角色变得不受欢迎。死亡和腐烂被隔离在医院、收容所、停尸房和墓地里,大量的文化能量被用来制定策略来掩盖和净化死亡的残酷事实。当然,我们仍然被不可避免的死亡所困扰。我们怎么可能不是呢?
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来源期刊
TEMENOS
TEMENOS RELIGION-
CiteScore
1.10
自引率
11.10%
发文量
10
审稿时长
26 weeks
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