Miroslav Zdovc: Contextualising the Archive

IF 0.1 4区 艺术学 0 ART
Miha Colner
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引用次数: 0

Abstract

In this paper a case study of constructing a photographic archive in a museum context, and the ways of contextualising seemingly marginal and insignificant photographic material, is being showcased and analysed. The focal point of the paper is the personal photographic archive of Miroslav Zdovc (1929–2009), a prominent Slovenian professional photographer as well as an artist using photography who, however, did not receive a deserved place in local and regional history of photography and art. Therefore, his extensive body of work that has nearly disappeared from the public eye is now in the process of being reviewed and re-evaluated. His extensive archive consists of diverse materials: personal imagery, documentary photographs, documents of artworks, and (his own) photographic artworks. The paper thus presents the project in the making in which the curators of Božidar Jakac Gallery – Museum of Modern and Contemporary Art, Kostanjevica na Krki have been conducting the process of cataloguing, evaluating and finally showcasing his immense body of work. It also brings forward the most significant elements of his artistic practice that spanned from the 1950s to the 1990s, and which was changing and developing in accordance with the concurrent tendencies in photography and art.
Miroslav Zdovc:档案的语境化
本文以博物馆背景下的摄影档案建设为例,对看似边缘和无关紧要的摄影材料进行语境化的方法进行了展示和分析。本文的重点是Miroslav Zdovc(1929-2009)的个人摄影档案,他是斯洛文尼亚著名的专业摄影师,也是一位使用摄影的艺术家,然而,他在当地和地区的摄影和艺术史上并没有得到应有的地位。因此,他几乎从公众视野中消失的大量作品现在正在被重新审视和评估。他的大量档案包括各种各样的材料:个人图像、纪实照片、艺术品文件和(他自己的)摄影作品。因此,本文介绍了Božidar Jakac画廊- Kostanjevica na Krki现代和当代艺术博物馆的策展人正在进行的项目,该项目一直在进行编目,评估并最终展示他的大量作品。同时也提出了他在20世纪50年代到90年代的艺术实践中最重要的元素,这些艺术实践是根据摄影和艺术的共同趋势而变化和发展的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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