The Accursed Economy of Literature

Michael J. Sowinski
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Abstract

In this article, the author explains the connection between literature and economy on a philosophical level, especially in case of logic of exchange and concept of mimesis in novels. Basic tools for his arguments are derived from Georges Bataille’s concept of Accursed Economy (from the essay “The Accursed Share”). The French philosopher argues that in our everyday reality we use logic imposed on us by capitalism, which means that the value of everything is measured by its utility and, at the same time, values of all things can easily be accumulated. Because of that blind belief something important is omitted – surplus, a particle which does not fit into the global system of exchange. In the author’s opinion this phenomenon (and all its consequences) can be used to interpret the novel Bartleby, the Scrivener by Herman Melville, showing the main character’s activities (or their lack) in different contexts. This interpretation also proves the usefulness of applying some tools and terms from the language of economics into literary studies.
可恶的文学经济
本文从哲学的层面上阐释了文学与经济的联系,特别是小说中的交换逻辑和模仿概念。他的论点的基本工具来源于乔治·巴塔耶的“被诅咒的经济”概念(来自文章“被诅咒的份额”)。这位法国哲学家认为,在我们的日常生活中,我们使用资本主义强加给我们的逻辑,这意味着一切事物的价值都是通过其效用来衡量的,同时,所有事物的价值都很容易积累。由于这种盲目的信念,一些重要的东西被忽略了——盈余,一种不适合全球交换体系的粒子。在作者看来,这一现象(及其所有后果)可以用来解释赫尔曼·梅尔维尔的小说《书吏巴特比》,在不同的语境中展示主角的活动(或他们的缺乏)。这种解释也证明了将经济学语言中的一些工具和术语应用到文学研究中的有用性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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24 weeks
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