Remembering War in Imperial Canada: David Ross McCord and the McCord National Museum

Fontanus Pub Date : 1996-01-01 DOI:10.26443/fo.v9i.139
D. Wright
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Abstract

David Ross McCord (1844-1930) was a man obsessed. Between the 1880s and 1920 the drive to build a national museum constituted an all-consuming obsession. The end result of his efforts is today the internationally renowned McCord Museum of Canadian History/Le Muste McCord d 'histoire canadienne. Although he amassed a collection of considerable breadth and depth, this paper focuses on one aspect of his collection: objects relating to the history of war. An ardent imperialist, McCord believed that war served a noble function in that it strengthened both individual manliness and national character. Early museum displays likewise emphasized war as a heroic and gallant affair and adhered very closely to what John Keegan terms the rhetoric of battle history. More significantly, David Ross McCord and the McCord National Museum perpetuated the Myth of the War Experience: to die for one's country is noble and right.
纪念加拿大帝国战争:大卫·罗斯·麦考德和麦考德国家博物馆
大卫·罗斯·麦考德(1844-1930)是个痴迷的人。在19世纪80年代到1920年之间,建造国家博物馆的动力构成了一种消耗一切的痴迷。他努力的最终结果是今天国际知名的加拿大麦考德历史博物馆/Le Muste McCord d 'histoire canadienne。虽然他收集了相当广泛和深入的藏品,但本文主要集中在他的藏品的一个方面:与战争历史有关的物品。作为一名狂热的帝国主义者,麦考德认为战争具有崇高的功能,因为它既增强了个人的男子气概,也增强了民族的性格。早期的博物馆展览同样强调战争是一场英雄和英勇的事件,并与约翰·基冈所说的战争史的修辞密切相关。更重要的是,大卫·罗斯·麦考德和麦考德国家博物馆延续了战争经历的神话:为国家而死是高尚和正确的。
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