{"title":"Dignified and Picturesque: Redpath Library in 1893","authors":"P. McNally","doi":"10.26443/fo.v6i.77","DOIUrl":null,"url":null,"abstract":"Redpath Library figures prominently in the history of both McGill University and Canadian librarianship. When it opened on October 31, 1893 it was only the second free-standing academic library in the country and one of the half-dozen buildings on the University's campus. Through the generosity and wisdom of its benefactor, Peter Redpath, and the taste and talent of its architect, Andrew Taylor, the building is a masterpiece of late Victorian design and an outstanding example of contemporary library planning. Redpath and Taylor are placed within their historical contexts to show how their collaboration resulted in a library which is a remarkable blend of Canadian, British, French and American elements. Particular attention is paid to the building's design and decoration, which are a blending of Romanesque, Gothic, and Arts and Crafts styles. Similarities and dissimilarities to Richardsonian Romanesque are noted. Note is also made of there being a co-benejactor of the library, Grace Redpath, who gave material support to her husband's efforts.","PeriodicalId":81279,"journal":{"name":"Fontanus","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"1993-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fontanus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26443/fo.v6i.77","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Redpath Library figures prominently in the history of both McGill University and Canadian librarianship. When it opened on October 31, 1893 it was only the second free-standing academic library in the country and one of the half-dozen buildings on the University's campus. Through the generosity and wisdom of its benefactor, Peter Redpath, and the taste and talent of its architect, Andrew Taylor, the building is a masterpiece of late Victorian design and an outstanding example of contemporary library planning. Redpath and Taylor are placed within their historical contexts to show how their collaboration resulted in a library which is a remarkable blend of Canadian, British, French and American elements. Particular attention is paid to the building's design and decoration, which are a blending of Romanesque, Gothic, and Arts and Crafts styles. Similarities and dissimilarities to Richardsonian Romanesque are noted. Note is also made of there being a co-benejactor of the library, Grace Redpath, who gave material support to her husband's efforts.