{"title":"Théâtre du Soleil and the Music of Jean-Jacques Lemêtre","authors":"Iulia Ursa","doi":"10.24193/subbmusica.2023.spiss1.08","DOIUrl":null,"url":null,"abstract":"\"The contemporary performative scene is defined by the interaction of the means of artistic expression, which determines a permanent renewal of the scenic language. This article discusses the multiple stage practices that animate performances in theater and music, in their complementarity or dynamic confrontation. These interactions are presented here from the perspective of the specific musical work of Jean-Jacques Lemêtre, who facilitated a voice and movement rhythm workshop at the Faculty of Theater and Film within Babeș-Bolyai University, in March 2023. Unique figure in the theatrical musical landscape, he has been the musician, composer, luthier, and interpreter of the sound universe of Théâtre du Soleil performances for more than forty years. This work aims to demonstrate that music for theater is a special genre born through the process of organic integration of the theatricality of the stage, by assuming the risk of being contaminated by the impurity generated by the actors' bodies that emit their own sound universe. Music for theater is enriched and energized by these experiences born from the osmosis of sound - enhanced image into organic and fruitful connections. Keywords: music, theater, instruments, training, technique\"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Universitatis Babes-Bolyai Musica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24193/subbmusica.2023.spiss1.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
"The contemporary performative scene is defined by the interaction of the means of artistic expression, which determines a permanent renewal of the scenic language. This article discusses the multiple stage practices that animate performances in theater and music, in their complementarity or dynamic confrontation. These interactions are presented here from the perspective of the specific musical work of Jean-Jacques Lemêtre, who facilitated a voice and movement rhythm workshop at the Faculty of Theater and Film within Babeș-Bolyai University, in March 2023. Unique figure in the theatrical musical landscape, he has been the musician, composer, luthier, and interpreter of the sound universe of Théâtre du Soleil performances for more than forty years. This work aims to demonstrate that music for theater is a special genre born through the process of organic integration of the theatricality of the stage, by assuming the risk of being contaminated by the impurity generated by the actors' bodies that emit their own sound universe. Music for theater is enriched and energized by these experiences born from the osmosis of sound - enhanced image into organic and fruitful connections. Keywords: music, theater, instruments, training, technique"
“当代表演场景是由艺术表现手段的相互作用来定义的,这决定了景观语言的永久更新。本文探讨了戏剧和音乐中动画表演的多种舞台实践,它们是互补的还是动态对抗的。这些互动在这里是从Jean-Jacques Lemêtre的具体音乐作品的角度来呈现的,他于2023年3月在Babeș-Bolyai大学戏剧和电影学院举办了一个声音和运动节奏研讨会。在戏剧音乐领域,他是音乐家、作曲家、制琴师和th太阳tre du Soleil表演的声音宇宙的诠释者,已有四十多年的历史。本作品旨在证明戏剧音乐是一种特殊的类型,它是在舞台的戏剧性有机融合的过程中诞生的,它冒着被演员身体发出自己的声音宇宙所产生的杂质所污染的风险。戏剧音乐是丰富和充满活力的这些经验诞生从渗透的声音增强图像到有机和富有成效的联系。关键词:音乐,戏剧,乐器,训练,技术