J. Pezel’s Music for the Ensemble of Copper Wind Instruments in the Context of German Tradition of the 17th Century

IF 0.1 0 MUSIC
Victor Slupskyi
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引用次数: 0

Abstract

"The creative activity of Johann Pezel, the then-known multiinstrumentalist, whose creative path and kind of activity reflects the life and status of the musician of the Baroque era, is analyzed in the article in the context of the development of the German ensemble performance on copper wind instruments of the 17th century. It is noted that the motivation for the appearance of works for the ensemble of copper wind was a purely practical need to replenish the repertoire of urban performers. The works are written considering the technical capabilities of the instruments and follow the specifics of the genre-style tendencies of German instrumental music of the 17th century. The subject matter and methods of analysis should be distributed to the composer’s work of J. Pezel’s contemporaries, who also created music for the ensemble of copper brass, and to include their works in the repertoire of current performers. Keywords: German musical culture of the 17th century, J. Pezel’s music, musician-multiinstrumentalist, ensemble of copper wind instruments, cornet, trombone. "
佩泽尔在17世纪德国传统背景下为铜管乐器合奏的音乐
本文以17世纪德国铜管合奏演奏的发展为背景,分析了当时著名的多乐器演奏家约翰·佩泽尔的创作活动,他的创作路径和活动类型反映了巴洛克时代音乐家的生活和地位。值得注意的是,铜风合奏团作品出现的动机是纯粹的实际需要,以补充城市表演者的曲目。这些作品考虑到乐器的技术能力,并遵循17世纪德国器乐流派风格倾向的具体内容。分析的主题和方法应该分布到J. Pezel同时代的作曲家的作品中,他们也为铜铜管乐团创作音乐,并将他们的作品包括在当前表演者的曲目中。关键词:17世纪德国音乐文化,佩泽尔的音乐,多乐器演奏家,铜管乐器合奏,短号,长号
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