Interactive Technologies in the Art Museum

P. Meecham, Elena Stylianou
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引用次数: 5

Abstract

When in June 2013 The Guardian newspaper (UK) asked us to ‘help create the whole picture’ with the GuardianWitness app (‘upload your part of the story faster with 4GEE at witness.guardian.co.uk’) we know the citizen reporter and the eyewitness photographer have been allied to faster, participation and the double page spread (The Guardian, Saturday 06.07.13 pp 2 and 3). Undermining the authorship, authority and arguably the professionalism of the journalist and photographer, the amateur enthusiast, key eye-witness or commentator are crowd-sourced to open up, enhance and create a whole, diverse picture of world events that, in the advertisement at least, speaks of a change in the relationship of passive consumer to traditional authorities such as newspapers.
艺术博物馆中的互动技术
2013年6月,英国《卫报》(The Guardian)要求我们通过GuardianWitness应用程序(“使用4GEE在witness.guardian.co.uk上更快地上传你的故事部分”)“帮助创建全图”,我们知道公民记者和目击者摄影师已经联合起来,更快地参与和双页传播(《卫报》,2013年6月7日星期六第2页和第3页)。业余爱好者、关键的目击者或评论员都聚集在一起,以打开、增强和创造一个完整的、多样化的世界事件图景,至少在广告中,这表明被动消费者与报纸等传统权威之间的关系发生了变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
0.00%
发文量
6
审稿时长
10 weeks
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