DECODING INDIA’S POPULAR CULTURE. THE ROMANIAN WOMEN VIEWERS’ GAZE

Q2 Medicine
Synergy Pub Date : 2023-05-25 DOI:10.24818//syn/2023/19/1.08
V. Marinescu, A. Rodideal, Ramona Marinache
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引用次数: 0

Abstract

Our article starts from the assumption that the ingredients of success in the case of the Indian cultural products are based on their “cultural value”. India’s value of cultural products is multidimensional and it does not strictly reside at the language level known by the public or by just part of it. Our analysis shows that the success of India’s popular culture is based on the perception of Romanian audiences of them as a cultural “mix” between the “local” (that is, Indian) elements and the appeal at a set of “global” (universal) values. More precisely, in the case of Romanian audiences for India’s cultural products (TV series) there was a validation of theories regarding the cultural hybrid motivations involved in media consumption, theories about the importance of cultural proximity in the consumption of popular culture’s products and theories emphasizing globalism and of these cultural products, making them desirable and wanted world-wide.
解读印度流行文化。罗马尼亚女观众的目光
我们的文章首先假设印度文化产品成功的要素是基于它们的“文化价值”。印度文化产品的价值是多方面的,它并不局限于公众所知的语言水平,也不局限于一部分人。我们的分析表明,印度流行文化的成功是基于罗马尼亚观众对他们的看法,即“当地”(即印度)元素与一套“全球”(普遍)价值观之间的文化“混合体”。更确切地说,在罗马尼亚观众购买印度文化产品(电视剧)的案例中,证实了媒体消费中涉及文化混合动机的理论、关于文化接近性在大众文化产品消费中的重要性的理论,以及强调全球化和这些文化产品的理论,这些理论使它们在世界范围内受到欢迎和需要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Synergy
Synergy Medicine-Medicine (miscellaneous)
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