Black America: Multimodal Discourse Analysis of Childish Gambino’s “This is America”

Mona Audryn Margaretha, Yasmine Anabel Panjaitan
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引用次数: 3

Abstract

A song can manifest itself as a critical instrument in the vast socio-political atmosphere. Often times a song conceals its real meaning within layers of linguistic elements and through visual communication. Upon the release of Childish Gambino’s This is America (2018), the music video has been assumed widely assumed to contain semiotic elements that criticize the injustice politics of race in America. To dig deeper into this assertion, we use Machin’s Lyrics Analysis (2010) and Kress and van Leeuwen’s Visual Grammar approach (2006) to analyze the illustrated semiotic elements. Both frameworks are two Multimodal Discourse Analysis approaches that explore interdisciplinary analysis in the discourse-oriented research. This article finds that Gambino does question the practice of black discrimination through gun and police violence in present America by utilizing distant words and excessive gestures in his visual communication as a diversion. They are purposefully placed to gain a profound observation from the audience, and thus able to spark a conversation regarding the issue in a greater scale. Furthermore, it is found that This is America applies comical aspects in the visual elements as a layering device. Through humorous semiotic elements, Gambino is discovered to highlight the commodification of black art in his music video.
黑人美国:儿童甘比诺《这就是美国》的多模态语篇分析
在广阔的社会政治氛围中,歌曲可以表现为一种批判的工具。很多时候一首歌隐藏了它的真正含义在语言元素的层次和通过视觉传达。在幼稚的甘比诺的《这就是美国》(2018)发行后,人们普遍认为这首mv包含了批评美国种族不公正政治的符号元素。为了更深入地挖掘这一断言,我们使用了Machin的歌词分析(2010)和Kress和van Leeuwen的视觉语法方法(2006)来分析所说明的符号元素。这两个框架都是多模态语篇分析方法,在语篇导向研究中探索了跨学科分析。这篇文章发现甘比诺在他的视觉交流中使用疏远的语言和过度的手势来转移注意力,从而质疑当今美国枪支和警察暴力对黑人的歧视。他们的目的是为了从观众那里获得深刻的观察,从而能够在更大的范围内引发关于这个问题的对话。此外,我们还发现《This is America》在视觉元素上运用了喜剧元素作为分层的手段。通过幽默的符号学元素,甘比诺在他的音乐录影带中突出了黑人艺术的商品化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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