The Rover's Return: A Literary Quotation on a Pot in Corinth

IF 0.8 1区 历史学 0 ARCHAEOLOGY
HESPERIA Pub Date : 2001-07-01 DOI:10.2307/3182068
J. Green, E. Handley
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引用次数: 1

Abstract

An extended graffito on a Hellenistic kantharos at Corinth seems to express a topos of greeting, quite likely in the form of a classic quotation from Euripides,just as we might quote Shakespeare today, whether or not we know the formal origin of the expression. The graffito forms another item of evidence for the currency of theater among many sections of Hellenistic society, not least in the context of the symposium. A recent observation by Jean Bousquet that a young stonemason practicing his letters at Delphi sometime near the beginning of the 3rd century B.C. used lines of Euripides as his text should prompt us to be alert for other examples outside literary sources.' After all, we are told, all the world's a stage. Another likely example indeed occurs on a kantharos from Corinth, already described by Oscar Broneer as "probably a quotation from a play."2 The vase is a kantharos of the so-called articulated type with ledged vertical handles (Fig. 1); it was found in a fill beneath the stairs of Shop I of the South Stoa.3 Its date is not as evident as one might have hoped. More recent research has suggested that G. R. Edwards's chronology for this material, proposed in Corinth VII, iii, was too high.4 The construction of the South Stoa is now placed at the end of the 4th century, and the deposit in which the vase was found represents a dumped fill dating from the Early Hellenistic period to 146 B.C. On stylistic grounds, the kantharos certainly dates to the 3rd century, but without a full profile it is difficult to say even whether it belongs to the earlier or later part, although our impression is that it should not be dated as early as the first quarter. As we shall see, the style of the script of the inscription would also suggest a date markedly after the beginning of the century. The script is a well-formed rounded capital, reminiscent of a typical formal hand of the earlier Ptolemaic period. The text gives eleven letters of the alphabet: the alpha is made with a narrow left-hand loop, which tends to reduce, as in some book scripts, to a simple diagonal; the delta is quite small, the epsilon rounded, with its horizontal slightly detached, and the sigma is also rounded; the clearer specimen of the two pi's shows neatly American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to Hesperia www.jstor.org ® J. RICHARD GREEN AND ERIC W. HANDLEY Figure 1. Inscribed kantharos from Corinth, C-34-397. Sides A and B. ? ; :,:-: .::::: Courtesy Corinth Museum curved verticals; the rho and phi are tall, projecting slightly above and below the bilineal norm, and with flattened curved parts (the bow of the rho is tinyS); the omega is almost cursive, with a double flattish curve. For parallels from around the middle of the 3rd century, one can mention PLit. Lond. 73, a fragment of a copy of Euripides, Hippolytus, together with a comparable hand in a contemporary letter, PCair. Zen. 57578, not before 261 B.C.6 It is easy to quote good later examples, such as the well-known and well-illustrated Paris papyrus of Menander, Sikyonioi, assigned to the last third of the 3rd century B.C. (and most probably to near the end of it).7 On the other hand, projecting backward to a date as early as the end of the 4th century (the date of the earliest material in the deposit) for script of this style would be, palaeographically speaking, a leap into the dark. Indeed, it is a move one would much rather not make on the evidence of 5. The rho also needs some skill to 6. These two are respectively nos. 3a incise, not least in the medium of fired and 3b in Roberts 1955. clay: Touo-cL -6 Too p IoxOYpov, "Tough, this 7. PSorb. inv. 2272-3 + 72, from rho," cries Mnesilochos when playing the Ghoran. Blanchard and Bataille 1965; role of Palamedes writing on wood, Ar. Turner 1987, no. 40. Thesm. 781 (411 B.C.). 368
流浪者的归来:科林斯的一个壶的文学引文
科林斯(Corinth)一座希腊化的坎塔罗斯(kantharos)上的一幅扩展涂鸦似乎表达了一种问候的主题,很可能是欧里庇得斯(Euripides)经典语录的形式,就像我们今天可能引用莎士比亚的话一样,不管我们是否知道这种表达的正式起源。涂鸦形成了另一个证据,证明戏剧在希腊化社会的许多部分中都是流通的,尤其是在研讨会的背景下。Jean Bousquet最近观察到,一位年轻的石匠在公元前3世纪初的某个时候在德尔菲练习他的字母,他把欧里庇得斯的诗句作为他的文本,这应该提醒我们警惕文学来源之外的其他例子。毕竟,我们被告知,整个世界都是一个舞台。另一个可能的例子确实发生在科林斯的坎塔罗斯上,奥斯卡·布朗纳已经将其描述为“可能是戏剧中的引文”。这个花瓶是一个所谓的铰接式的花瓶,有边缘的垂直把手(图1);它是在南街一号商店楼梯下的一处填充物中被发现的。它的年代并不像人们所希望的那样明显。最近的研究表明,G. R. Edwards在《哥林多书》第七、三章中提出的这一材料的年表过高南柱廊的建设目前放置在4世纪的结束,和存款的花瓶被发现代表一个倾倒填充可以追溯到公元前146年的希腊早期风格,kantharos当然可以追溯到3世纪,但是没有一个完整的形象甚至还很难说它是否属于较早或较晚,虽然我们的印象是,它不应该早在第一季度。正如我们将看到的,铭文的文字风格也表明日期明显晚于本世纪初。该文字是一个结构良好的圆形大写字母,让人联想到早期托勒密时期典型的正式笔迹。文本给出了11个字母表字母:阿尔法字母在左手边形成一个狭窄的圆圈,就像在一些书籍脚本中一样,趋向于简化成一个简单的对角线;非常小,是圆角的,水平方向稍微分开,也是圆角的;两个圆周率的清晰样本显示,雅典的美国古典研究学院正与JSTOR合作,将Hesperia进行数字化、保存和扩展访问www.jstor.org®J. RICHARD GREEN和ERIC W. HANDLEY图1。科林斯刻的坎塔罗斯,公元前34-397年。A边和b边?;:,:-: .:::::科林斯博物馆提供的曲线垂直;和很高,略高于双列范数和略低于双列范数,并且有平坦的弯曲部分(弓形很小);几乎是草书的,有两条平坦的曲线。从3世纪中期开始,人们可以提到PLit。长73,欧里庇得斯,希波吕图斯的抄本残片,连同同时代的一封书信,PCair的类似手迹。公元前557578年,公元前261年以前我们很容易引用后来的好例子,比如著名的、插图精美的《巴黎纸莎草手稿》(Menander, Sikyonioi),它被认为是在公元前3世纪的最后三分之一时期完成的(很可能是在公元前3世纪末期)另一方面,从古生物学的角度来看,将这种风格的手稿追溯到早在4世纪末(该矿床中最早材料的日期)将是一种跳入黑暗的飞跃。事实上,在证据5的情况下,人们宁愿不这么做。对6也需要一些技巧。这两个分别是第3a号切口,尤其是在罗伯茨1955年的《解雇》和《3b》中。陶陶:太棒了,这个7。PSorb。公元2272-3 + 72年,源自rho,”Mnesilochos在演奏古兰经时喊道。布兰查德和巴塔耶1965;帕拉米德人在木头上书写的角色,Ar. Turner 1987, no。40. 公元前781年(公元前411年)。368
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来源期刊
HESPERIA
HESPERIA ARCHAEOLOGY-
CiteScore
1.60
自引率
25.00%
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