The “Floating Herstories” Sound Project: a Helical Collaborative Process

Maica Gugolati, J. E. Ramírez
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引用次数: 0

Abstract

This article describes the sound project “Floating Herstories” in all its levels: from its conception and development, to its trial in the field on the island of Trinidad, in the Republic of Trinidad and Tobago, West Indies. Inspired by the childhood experience of hearing a shell on Caribbean seashores, this sound work uses seashells as the medium to transmit stories narrated by women authors from Trinidad. Co-written by two authors, this article describes the multidisciplinary construction of the project, involving the participation of the three narrators of the soundtrack. Following a situated heritage of storytelling, “Floating Herstories” aims to tell stories collected poetically by the Caribbean Sea. The trial with the finished prototype conveyed the reactions of the population in situ, from which we gathered some meanings concerning the experience of both telling a story and listening to one. On this basis, the article sets out some questions about the value of silence and selected sound in a familiar or estranged context.
“漂浮的她的故事”声音项目:一个螺旋的协作过程
本文从各个层面描述了“漂浮的故事”项目:从构思和发展,到在特立尼达和多巴哥共和国特立尼达岛的实地试验。这个声音作品的灵感来自童年在加勒比海海岸听到贝壳的经历,以贝壳为媒介,传播特立尼达女作家讲述的故事。本文由两位作者共同撰写,描述了该项目的多学科建设,涉及到配乐的三位叙述者的参与。“漂浮的她的故事”遵循了故事的传统,旨在讲述加勒比海诗意地收集的故事。完成原型的试验传达了现场人群的反应,从中我们收集了一些关于讲故事和听故事的体验的含义。在此基础上,本文提出了在熟悉或疏远的语境中沉默和选择声音的价值问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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