‘NO MONEY, NO HONEY’:

IF 0.1 4区文学 N/A LITERARY REVIEWS

MEANJIN Pub Date : 2012-01-01 DOI:10.2307/j.ctv1h0nvd2.13

Lily Keil

引用次数: 6

Abstract

Dereliction will never be a fashionable aesthetic in Russia; it's too real for too many. I'm leaving Moscow in a late summer of extreme temperatures, and I'm leaving my close friend Kseniya who put me up for ten days in her apartment here. The Trans-Siberian Railway will take six days to Beijing. Though five years in Australia has given Kseniya a taste for second-hand clothes, that's the limit of her appreciation for old things. For her, this is transport for those who can't afford anything else. Why would someone from Australia get on this clapped-out old train to look out at Russian misery?

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“没有钱，就没有蜜”;

遗弃永远不会成为俄罗斯的时尚审美;对太多的人来说太真实了。我要在气温极低的夏末离开莫斯科，我要离开我的好朋友克谢尼娅她让我在她的公寓里住了十天。西伯利亚大铁路到北京需要6天时间。虽然在澳大利亚的五年让Kseniya对二手衣服产生了兴趣，但这是她对旧东西的欣赏的极限。对她来说，这是那些买不起其他东西的人的交通工具。为什么一个来自澳大利亚的人会坐上这列破旧的火车去看俄罗斯的苦难?

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

MEANJIN LITERARY REVIEWS-

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0.10

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期刊介绍： Meanjin was founded in Brisbane by Clem Christesen (the name, pronounced Mee-an-jin, is derived from an Aboriginal word for the finger of land on which central Brisbane sits) in 1940. It moved to Melbourne in 1945 at the invitation of the University of Melbourne. It currently receives funding from the university, the Literature Fund of the Australia Council for the Arts, CAL and Arts Victoria as well as receiving vital support through subscriptions and other sales.

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