{"title":"You Will Find Yourself Disoriented’: Food and the Disruption of Gendered, Political, and Literary Norms in Pat Mora’s House of Houses","authors":"Méliné Kasparian","doi":"10.21427/15MQ-CR24","DOIUrl":null,"url":null,"abstract":"educated one: the narrator ‘knows’ that she shouldn’t bite or chew, because she has learned that from her grandmother. This evocation of appetite participates in the text’s depiction of a woman-centered sensuality, dissociated from masculine pleasure. Mora writes: ‘Mornings when I rub cream into my legs after a bath, I think of the women in my family in the rooms of my heart, each rubbing cream between her hands, then up her legs, enjoying the quiet and the feel of stroking, soothing, our own flesh’ (Mora, 2008a, p.181). This disruption of patriarchal norms is also achieved through revisiting myths and narratives that have been used historically to promote the suppression of women’s appetites and desires. One such narrative centers on the Virgin Mary, who, as the antidote to Eve, embodies the expectation that women should deny themselves the fulfillment of their appetites. In the Chicano cultural context, the Virgin Mary translates as ‘La Virgen de Guadalupe,’ a symbol of female sacrifice, devotion, and submissiveness, as feminist writer Sandra Cisneros explained:","PeriodicalId":45285,"journal":{"name":"MUSICAL QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSICAL QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21427/15MQ-CR24","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
educated one: the narrator ‘knows’ that she shouldn’t bite or chew, because she has learned that from her grandmother. This evocation of appetite participates in the text’s depiction of a woman-centered sensuality, dissociated from masculine pleasure. Mora writes: ‘Mornings when I rub cream into my legs after a bath, I think of the women in my family in the rooms of my heart, each rubbing cream between her hands, then up her legs, enjoying the quiet and the feel of stroking, soothing, our own flesh’ (Mora, 2008a, p.181). This disruption of patriarchal norms is also achieved through revisiting myths and narratives that have been used historically to promote the suppression of women’s appetites and desires. One such narrative centers on the Virgin Mary, who, as the antidote to Eve, embodies the expectation that women should deny themselves the fulfillment of their appetites. In the Chicano cultural context, the Virgin Mary translates as ‘La Virgen de Guadalupe,’ a symbol of female sacrifice, devotion, and submissiveness, as feminist writer Sandra Cisneros explained:
期刊介绍:
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.