Revisiting Stravinsky’s poetics of music: The Souvtchinsky connection

IF 0.2 0 MUSIC
Katerina Levidou
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引用次数: 0

Abstract

The complex authorship of Stravinsky?s Poetics of Music, as a result of the collaboration between the Russian composer himself, the composer and critic Alexis Roland-Manuel and the Russian ?migr? thinker Pierre Souvtchinsky, has been well established by now. This article traces the latter?s contribution to Stravinsky?s book moving beyond the obvious places to look, namely the fifth chapter (written by Souvtchinsky) and the well-known reference to Souvtchinsky?s ideas on music and time. The Poetics will thus intriguingly emerge as a most unexpected platform for the presentation and dissemination of positions associated with a certain strand of Eurasianism, the Russian ?migr? intellectual and political movement, with which Souvtchinsky was closely associated.
重新审视斯特拉文斯基的音乐诗学:索夫钦斯基的联系
斯特拉文斯基复杂的作者身份?《音乐诗学》,是俄国作曲家本人、作曲家兼评论家阿列克谢·罗兰-曼努埃尔和俄国的米格尔?思想家皮埃尔·索夫钦斯基(Pierre Souvtchinsky)的观点现在已经得到了很好的证实。本文追溯后者?他对斯特拉文斯基的贡献?这本书超越了显而易见的地方,即第五章(由Souvtchinsky撰写)和众所周知的对Souvtchinsky?他对音乐和时间的看法。因此,《诗学》将引人入胜地成为一个最意想不到的平台,用于呈现和传播与欧亚主义的某个分支有关的立场,俄罗斯移民?思想和政治运动,索夫钦斯基与之密切相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
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0.00%
发文量
5
审稿时长
12 weeks
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