Following the black spiral: Old voices, new life (Towards the history of the early commercial gramophone records in Bulgaria)

IF 0.2 N/A MUSIC
Ventsislav Dimov
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引用次数: 0

Abstract

The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramophone records from the early XX century. Although unique sources for ethnomusicological and historical research, these commercial recordings are little known and almost unexplored. The proposed text sets out to collect and describe information on the first decade of commercial gramophone recordings in Bulgaria. The basis for the research is sound evidence from scholarly and museum archives and private collections; music company catalogues, labels on gramophone records, discographies; and supporting information - texts and advertising images from newspapers, memoirs and memoir literature as primary and secondary sources. The sought ethnomusicological approach is achieved through a combination of different research methods: ethnographic, historical, discographic, cultural, anthropological. The results of the research present the role of commercial recordings in musical and popular culture in Bulgaria in the years leading up to the First World War, cultural life, musical history, musicing, intercultural interactions, the cultural choices of Western and local, Slavic and Balkan, traditional music in non-traditional modern contexts, art music in popular contexts, and the role of professional musicians.
跟随黑色螺旋:旧的声音,新的生活(保加利亚早期商业留声机唱片的历史)
现存最早的保加利亚音乐和音乐家的声音证据是二十世纪初的商业留声机记录。虽然是民族音乐学和历史研究的独特来源,但这些商业录音鲜为人知,几乎没有被探索过。拟议案文的目的是收集和说明关于保加利亚商业留声机录音第一个十年的资料。研究的基础是来自学术、博物馆档案和私人收藏的可靠证据;音乐公司目录、留声机唱片上的标签、唱片册;和辅助信息-文本和广告图像从报纸,回忆录和回忆录文学作为主要和次要来源。所寻求的民族音乐学方法是通过不同研究方法的结合来实现的:民族志、历史、唱片学、文化、人类学。研究结果展示了商业录音在第一次世界大战前几年保加利亚音乐和流行文化中的作用,文化生活,音乐史,音乐,跨文化互动,西方和当地,斯拉夫和巴尔干的文化选择,非传统现代背景下的传统音乐,流行背景下的艺术音乐,以及专业音乐家的作用。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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