Vladimir R. Djordjevic’s contribution to the transcription of vocal practices

IF 0.2 0 MUSIC
Sandra Ranković
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引用次数: 0

Abstract

Serbian musicians who were collecting different forms of traditional music at the end of the 19th and the beginning of the 20th century were unable to make audio recordings of the collected material. This conditioned the need to transcribe folk melodies ?by ear? during the very process of interviewing their interlocutors or later ? from memory. Methodology of transformation of sound into an adequate graphic transcription was especially promoted by Vladimir Djordjevic who, in comparison to his predecessors, introduced numerous novelties. This article discusses his approach to the transcription of vocal practices as applied in two large collections: Serbian Folk Melodies (Southern Serbia) and Serbian Folk Melodies (Pre-war Serbia). The fundaments of his work are observed through the analysis of the manner in which Djordjevic transcribed meta-data, as well as from poetic and music texts.
Vladimir R. Djordjevic对声乐练习转录的贡献
在19世纪末和20世纪初收集不同形式传统音乐的塞尔维亚音乐家无法对收集的材料进行录音。这就决定了用耳朵抄写民间旋律的需要。在采访他们的对话者的过程中还是之后?从内存中。Vladimir Djordjevic特别推广了将声音转化为适当的图形转录的方法,与他的前辈相比,他引入了许多新颖的方法。这篇文章讨论了他在两个大集合中应用的声乐实践的转录方法:塞尔维亚民间旋律(塞尔维亚南部)和塞尔维亚民间旋律(战前塞尔维亚)。通过分析Djordjevic转录元数据的方式,以及从诗歌和音乐文本中观察到他工作的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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