On the connection of musico-rhetorical strategies and Marian topic/topos in renaissance motets

IF 0.2 0 MUSIC
Senka Belić
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引用次数: 0

Abstract

The text summarizes some of the research results from my doctoral dissertation. In the broadest sense, the following text discusses the influence of rhetorical concepts and practices on the composition practice of the Renaissance. The methodological approach is interdisciplinary and multilayered, and it leads to the interpretation of Marian motifs dating from the late fifteenth to the end of the sixteenth century, in the context of rhetorical ideas and principles, and the Marian topic / topos. The most significant result of this text is the formation of a special analytical method by which the interpretive-contextual reading of musical marking is achieved.
论文艺复兴时期圣歌中音乐修辞策略与玛丽安主题的关系
本文总结了我博士论文的一些研究成果。从最广泛的意义上讲,下面的文本讨论了修辞概念和实践对文艺复兴时期写作实践的影响。方法方法是跨学科和多层次的,它导致了从15世纪末到16世纪末的玛丽安主题的解释,在修辞思想和原则的背景下,玛丽安主题/ topos。本文最重要的成果是形成了一种特殊的分析方法,通过这种方法可以实现音乐标记的解释性语境阅读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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