The Balzan Musicology Project towards a global history of music, the study of global modernisation, and open questions for the future

IF 0.2 0 MUSIC
R. Strohm
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引用次数: 0

Abstract

The contribution outlines the Balzan Musicology Project (2013-2017) and the published papers arising from its 14 international workshops on global music history. The approach of the project is described as post-eurocentric, uniting music history and ethnomusicology. 29 of the papers address processes of music and modernisation in many countries, pinpointing not only ?Westernisation? but also transculturalism and transnational media. Open questions for a future musicology concern the history concept itself, and the fair distribution of resources and sharing opportunities to all those concerned.
巴尔赞音乐学项目朝向全球音乐史,全球现代化的研究,并为未来开放的问题
该贡献概述了Balzan音乐学项目(2013-2017)及其14次全球音乐史国际研讨会发表的论文。该项目的方法被描述为后欧洲中心,结合音乐史和民族音乐学。其中29篇论文讨论了许多国家的音乐和现代化进程,不仅指出了西方化?还有跨文化主义和跨国媒体。未来音乐学的开放问题涉及历史概念本身,以及资源的公平分配和所有相关人员的机会共享。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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