On the future of music history in professional and central-peripheral European musical circumstances

IF 0.2 0 MUSIC
Mirjana Veselinović-Hofman
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引用次数: 1

Abstract

In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the issue of its future from two viewpoints: 1) from the viewpoint of the future which we can control through professional means, striving for a certain professional vision and the highest professional criteria, and 2) of the future we cannot influence through the profession itself. This aspect of the future is a problem of peripheral musicologies, because these are axiologically dependent on the centre?s relationships towards the Other and scepticism regarding its evaluation.
在专业和欧洲中部周边音乐环境下音乐史的未来
在考虑所选主题时,我从音乐史,音乐史编纂和音乐学之间的复杂关系出发,重点关注音乐学作为音乐史的跨学科分支。我从两个角度来考虑它的未来问题:一是从我们可以通过专业手段来控制的未来的角度,追求一定的专业愿景和最高的专业标准;二是从我们无法通过专业本身来影响的未来的角度。未来的这一方面是外围音乐学的问题,因为它们在价值论上依赖于中心?对他者的关系和对其评价的怀疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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