A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music

IF 0.2 0 MUSIC
Valia Christopoulou
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引用次数: 0

Abstract

The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works presented during the Week, as well as their reception by the musical community are indicative of this transition. This paper aims at exploring those two perspectives and places the emphasis on the second, through an analytical comment on Le Tricot Rouge by Giorgos Kouroupos and the critiques in the press.
第五届希腊当代音乐周的国家视角与后现代主义的国际脉络
第五届希腊当代音乐周(雅典,1976年)主要是在一个重大政治事件的背景下进行的:1974年军事独裁政权的垮台。然而,它也可能被视为希腊向后现代时代过渡的一个里程碑。音乐周期间呈现的音乐作品,以及它们在音乐界的接受程度,都表明了这种转变。本文旨在探讨这两种观点,并通过对乔尔戈斯·库鲁普洛斯的《红色Tricot》的分析评论和媒体上的批评,重点讨论第二种观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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