Music Hall: Regulations and behaviour in a British cultural institution

IF 0.2 0 MUSIC
B. Scott
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引用次数: 0

Abstract

The music hall in late nineteenth-century Britain offers an example of a cultural institution in which legal measures, in-house regulations, and unscripted codes of behaviour all come into play. At times, the performers or audience were under coercion to act in a certain way, but at other times constraints on behaviour were more indirect, because the music hall created common understanding of what was acceptable or respectable. There is, however, a further complication to consider: sometimes insider notions of what is normative or appropriate come into conflict with outsider concerns about music-hall behaviour. These various pressures are examined in the context of rowdiness, drunkenness, obscenity, and prostitution, and conflicts that result when internal institutional notions of what is normative or appropriate come into conflict with external social anxieties.
音乐厅:英国文化机构的规定和行为
19世纪晚期英国的音乐厅就是一个文化机构的例子,在这个文化机构中,法律措施、内部规定和即兴行为准则都发挥了作用。有时,表演者或观众被强迫以某种方式行事,但在其他时候,对行为的约束更为间接,因为音乐厅创造了对可接受或可敬的共同理解。然而,还有一个更复杂的问题需要考虑:有时内部人对规范或适当的概念与外部人对音乐厅行为的关注发生冲突。这些不同的压力是在吵闹、醉酒、淫秽和卖淫的背景下进行检查的,当内部制度的规范或适当的概念与外部社会焦虑发生冲突时,就会产生冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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