{"title":"A especularidade na produção jornalística de Clarice Lispector","authors":"Mariângela Alonso","doi":"10.21471/jls.v4i2.337","DOIUrl":null,"url":null,"abstract":"This article aims to understand the narrative technique of mise-enabyme in Clarice Lispector’s short story “A quinta historia” (published in A legiao estrangeira (1964)). Here Lispector quickly builds variations on the same argument, a sort of unfolding of stories that succeed each other, originating in the same idea: how to kill cockroaches. Based on the studies of Lucien Dallenbach and Veronique Labeille among others, the article confronts the versions of A quinta historia in the periodicals Casa e Jardim and Senhor, focusing on mise-enabyme as the seminal and questioning force of Lispector’s work.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":"4 1","pages":"97-116"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/jls.v4i2.337","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article aims to understand the narrative technique of mise-enabyme in Clarice Lispector’s short story “A quinta historia” (published in A legiao estrangeira (1964)). Here Lispector quickly builds variations on the same argument, a sort of unfolding of stories that succeed each other, originating in the same idea: how to kill cockroaches. Based on the studies of Lucien Dallenbach and Veronique Labeille among others, the article confronts the versions of A quinta historia in the periodicals Casa e Jardim and Senhor, focusing on mise-enabyme as the seminal and questioning force of Lispector’s work.