Masks in Pedagogical Practice

D. Roy
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引用次数: 3

Abstract

Author(s): Roy, David | Abstract: In Drama Education mask work is undertaken and presented as both a methodology and knowledge base. There are numerous workshops and journal articles available for teachers that offer knowledge or implementation of mask work. However, empirical examination of the context or potential implementation of masks as a pedagogical tool remains undeveloped. On a theoretical level, throughout both ancient and modern drama education and performance, masks have been seen as synonymous to the field of drama. The mask is an iconic theatrical symbol from the times of Socrates to Modern western theatres. Simply put, masks symbolise the adoption of the role and hold a central place in drama across time and culture. Within Drama (as a field in itself), the use of mask have been used by influential drama theorists explicitly in specialist drama training. In schools, however, whilst referenced in official curricula internationally, there is no formal development of pedagogies for mask use in Drama, and little to no research in its potential impact upon the enacted curriculum. This paper presents some methodologies of ‘how’ to apply masks offered through presenting theoretical, historical knowledge contexts. Two teacher workshops in mask application and pedagogical potentials is also further discussed.
教学实践中的面具
摘要:在戏剧教育中,面具工作既是一种方法论,也是一种知识基础。有许多讲习班和期刊文章可供教师提供知识或面具工作的实施。然而,对口罩作为一种教学工具的背景或潜在实施情况的实证研究仍未得到发展。在理论层面上,在古代和现代戏剧教育和表演中,面具一直被视为戏剧领域的代名词。从苏格拉底时代到现代西方戏剧,面具是一个标志性的戏剧符号。简而言之,面具象征着角色的接受,在不同时间和文化的戏剧中占据着中心位置。在戏剧(作为一个本身的领域)中,有影响力的戏剧理论家在专业戏剧培训中明确使用了面具。然而,在学校里,虽然面具被国际上的官方课程所引用,但在戏剧中使用面具的教学法没有正式的发展,而且很少甚至没有研究它对制定的课程的潜在影响。本文提出了一些“如何”通过呈现理论、历史知识背景来应用面具的方法。两个教师工作坊也进一步讨论了口罩的应用和教学潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
0.00%
发文量
7
审稿时长
32 weeks
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