The Gothic Novel ‘Curial e Güelfa’: an erudite Creation by Milà i Fontanals

IF 0.1 4区 历史学 Q3 HISTORY
R. Navarro
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Abstract

Curial e Guelfa is not a chivalric novel written in the 15th century, but a ‘Gothic’ novel written in the 19th century by its professed discoverer, Manuel Mila i Fontanals. The text reveals a clear portrait of its author: an erudite scholar who had read vastly, from Muntaner’s Cronica to Il Novellino, from Paris e Viana to Petit Jehan de Saintre; someone familiar with the troubadours Rigaut de Berbezilh and Raimbaut de Vaqueiras; an author who had read, among many other works, Fulgentius’ Mitologiae and Enrique de Villena’s Glosas de la Eneida; Alfonso de la Torre’s Vision deleitable, Manrique’s Verses and El cortesano by Luis Milan. The concordances with these works make it evident that the book is a composite imitation by the highly erudite Catalan writer. Moreover, they attest to the fact that Curial e Guelfa can by no means have been written in the 15th century, as no writer could have had all the aforementioned works at his disposal at the time, and it was naturally impossible to read books published after the alleged date of writing of Curial e Guelfa.
哥特小说《Curial e gelfa》:米尔顿·丰塔纳尔斯的博学之作
《居里·盖尔法》不是一部写于15世纪的骑士小说,而是一部19世纪的“哥特式”小说,作者曼努埃尔·米拉·丰塔纳尔斯(Manuel Mila i Fontanals)自称是该书的发现者。这本书清晰地展现了作者的形象:一位博学多才的学者,从蒙坦纳的《克朗尼卡》到《新小说》,从《巴黎与维亚纳》到《小耶汉·德·圣》,他都读过很多书;熟悉游吟诗人里戈特·德·贝贝西尔和雷姆博·德·瓦奎拉的人;在许多其他作品中,他读过富尔根修斯的《线粒体》和恩里克·德·维莱纳的《埃内达的语言》;阿方索·德·拉·托雷的《可删除的视觉》,曼里克的《诗句》和路易斯·米兰的《El cortesano》。与这些作品的一致性表明,这本书是由高度博学的加泰罗尼亚作家合成的模仿。此外,它们证明《居里尔·居尔法》绝不可能是在15世纪写成的,因为当时没有作家能拥有上述所有作品,自然也不可能阅读在所谓的《居里尔·居尔法》写作日期之后出版的书籍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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