Fine-Tuning European Copyright Law to Strike a Balance between the Rights of Owners and Users

IF 0.8 4区 社会学 Q2 LAW
M. Favale
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引用次数: 11

Abstract

Directive 2001/29 (the EU Copyright Directive) aims to repress copyright infringement in the digital environment through the harmonisation of copyright discipline and the safeguard of technological protection measures (TPMs). It claims that this harmonisation is instrumental to the protection of the exclusive rights of the owners while granting protection to the fundamental rights of the public, such as freedom of information and the circulation of culture. The contribution of this paper is twofold. First, by analysing the Directive’s national implementation in the 27 Member States of the European Union, it assesses the extent to which the Directive attained the intended harmonisation and whether this is effective to achieve the balance of rights. Secondly, after the identification of areas of dysfunction, the paper proposes an alternative strategy to reach a harmonisation able to strike a better balance between the rights of owners and users.
调整欧洲版权法以平衡权利人和使用者的权利
第2001/29号指令(欧盟版权指令)旨在通过协调版权纪律和保障技术保护措施,打击在数码环境下侵犯版权的行为。它声称,这种协调有助于保护所有者的专有权,同时保护公众的基本权利,如信息自由和文化传播。本文的贡献是双重的。首先,通过分析该指令在欧盟27个成员国的国家实施情况,评估该指令在多大程度上实现了预期的协调,以及这是否有效地实现了权利平衡。其次,在识别功能障碍领域之后,本文提出了一种替代策略,以达到能够在所有者和用户的权利之间取得更好平衡的协调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
10.00%
发文量
1
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