And man created God? Kings, priests and gods on Sasanian investiture reliefs

IF 0.2 0 ARCHAEOLOGY
B. Overlaet
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引用次数: 5

Abstract

An inscription on the Naqsh-i Rustam I rock relief identifies the two protagonists in the investiture scene as Ardashir I and Ahura Mazda. All investing authorities on the royal Sasanian reliefs are therefore commonly identified as Ahura Mazda. In view of conflicting historic information and unexplained variations in the iconography of “Ahura Mazda”, a re-interpretation of the investiture reliefs is made. The inscription on Ahura Mazda’s horse at Naqsh-i Rustam appears to have been added at the end of Ardashir’s reign or early in Shapur I’s reign and the earliest reliefs are now considered to depict an investiture by a priest, instead of by Ahura Mazda. Once the inscription had been added to the Naqsh-i Rustam I rock relief, it changed from an investiture by a priest to one by a god, Ahura Mazda. Iconographic details that conflicted with this transformation (such as the barsum, attendant and possibly the “royal” tamga) were left out of the divine image in later representations of the investiture on horseback. The late Sasanian Taq-i Bustan III investiture on foot, up to now considered to be the investiture of Khusrow II by Ahura Mazda and Anahita, is equally interpreted as an investiture by clergy, in this case by representatives of the cults of these two gods, rather than by the gods themselves.
人创造了上帝?国王、牧师和神在萨珊王朝的授职浮雕上
在Naqsh-i Rustam I岩石浮雕上的铭文表明,授职现场的两位主角是阿达希尔一世和阿胡拉马自达。因此,萨珊王室浮雕的所有投资机构通常被认定为阿胡拉马自达。鉴于相互矛盾的历史信息和无法解释的变化在“阿胡拉马自达”的图像,重新解释的授权救济是作出。阿胡拉·马自达在纳克什-鲁斯塔姆的马上的铭文似乎是在阿达希尔统治末期或沙普尔一世统治初期添加的,现在认为最早的浮雕描绘的是一位牧师的授职,而不是阿胡拉·马自达的授职。一旦铭文被添加到naqush - I Rustam I岩石浮雕上,它就从牧师的授职变成了阿胡拉马自达神的授职。与这种转变相冲突的图像细节(如barsum,侍者和可能的“皇家”tamga)被排除在后来马背上的神圣形象中。已故萨珊王朝的Taq-i Bustan III徒步授职,到目前为止被阿胡拉·马自达和阿娜希塔认为是胡斯罗二世的授职,同样被解释为神职人员的授职,在这种情况下是由这两个神的崇拜代表,而不是由神本身。
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来源期刊
Iranica Antiqua
Iranica Antiqua ARCHAEOLOGY-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: Iranica Antiqua is one of the leading scholarly journals covering studies on the civilization of pre-Islamic Iran in its broadest sense. This annual publication, edited by the Department for Near Eastern Art and Archaeology at Gent University, Belgium, contains preliminary excavation reports, contributions on archaeological problems, studies on different aspects of history, institutions, religion, epigraphy, numismatics and history of art of ancient Iran, as well as on cultural exchanges and relations between Iran and its neighbours.
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