The Legal Reader: An Exposé

Michael J. Higdon
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引用次数: 1

Abstract

John Steinbeck once said, “Your audience is one single reader. I have found that sometimes it helps to pick out the person — a real person you know, or an imagined person — and write to that one.” For legal writers, however, this advice is somewhat difficult to follow as their documents are likely to be read by many different kinds of audience members. In this Article, however, I mean to focus specifically on one particular kind of reader: the legally-trained reader or, more simply, the legal reader. After all, the majority of lawyers will find themselves communicating most often with legal readers, whether those readers are other lawyers, judges, or even legislators.But who is this legal reader? And, further, what is it about this person that makes her different from an ordinary reader? Various texts on legal writing have alluded to the legal reader and some have even identified some of the key characteristics such a reader is likely to possess. In this Article, however, I want to go further. Specifically, it is my goal to synthesize all the various descriptions that others have used when describing the legal reader into a single manageable definition, one that is based on and identifies the pertinent traits of the average legal reader. I then illustrate the way in which these traits manifest themselves in the expectations of the legal reader — expectations the legal writer must understand if he hopes to communicate with the legal reader most effectively. Along the way, I rely heavily on examples from pop culture given that pedagogy scholars have increasingly come to classify pop culture as being “indispensable in education.” In fact, even “[l]egal scholars are starting to recognize the positive impact of using popular-culture references as a mechanism of communication in legal discourse.” Thus, because I hope this article might (at least in part) serve as a teaching tool, I have intentionally included the various pop culture references contained herein to provide us all with some common ground — after all, when it comes to legal education, “students” (whether talking about law students in particular or life-long students of the law in general) are able to “better understand, explore, apply, and synthesize new legal concepts when the concepts are linked or related to their preexisting knowledge and experiences.” (All quotations are from the article.)
《法律读者:揭露
约翰·斯坦贝克曾经说过:“你的读者是一个单一的读者。我发现,有时候找出一个人——一个你认识的真实的人,或者一个想象中的人——然后给他写信会很有帮助。”然而,对于法律作者来说,这个建议有点难以遵循,因为他们的文件可能会被许多不同类型的读者阅读。然而,在这篇文章中,我打算特别关注一种特殊的读者:受过法律训练的读者,或者更简单地说,法律读者。毕竟,大多数律师会发现他们最常与法律读者交流,无论这些读者是其他律师,法官,甚至立法者。但是这个法律读者是谁呢?更进一步说,是什么让这个人有别于一个普通的读者?关于法律写作的各种文本都提到了法律读者,有些甚至确定了法律读者可能拥有的一些关键特征。然而,在本文中,我想更进一步。具体来说,我的目标是将其他人在描述法律读者时使用的各种描述综合为一个可管理的定义,这个定义基于并确定了普通法律读者的相关特征。然后,我说明了这些特征是如何在法律读者的期望中表现出来的——如果法律作者希望与法律读者进行最有效的沟通,他必须理解这些期望。鉴于教育学学者越来越多地将流行文化归类为“教育中不可或缺的一部分”,在此过程中,我严重依赖流行文化的例子。事实上,即使是“法律学者也开始认识到,在法律话语中使用流行文化参考作为一种交流机制的积极影响。”因此,因为我希望这篇文章可以(至少部分地)作为一种教学工具,我故意在这里包含了各种流行文化参考,为我们所有人提供一些共同点毕竟,当涉及到法律教育时,“学生”(无论是专门的法律学生还是一般的终身法律学生)能够“更好地理解、探索、应用和综合新的法律概念,当这些概念与他们已有的知识和经验相联系或相关时。”(所有引语均来自文章。)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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