Plot features of the travelogue My Son on the Galley by J. Wallenberg

Pub Date : 2023-01-01 DOI:10.21638/11701/spbu21.2023.108
A. Morozov
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Abstract

The paper deals with the specific plot features of a popular Swedish travelogue My Son on the Galley (1781) in which Jacob Wallenberg describes his journey from Sweden to China in 1769–1771. The object of analysis is the general plot structure in travel novels (using Mikhail Bakhtin’s terminology) and travelogues. As a result, it is proved that My Son on the Galley is a travelogue with a linear, chronological plot structure. It includes not only description of the itself and documentary information (about the geographical and demographic position of the countries visited by the narrator, descriptions of local nature, traditions, etc.), but also there are adventurous episodes (for example, about old maids, frightened by the appearance of the Swedes; about the ship, which the sailors mistook for a pirate one, etc.) in the text. Digressions from the main theme — the journey — are interspersing as colorful illustrations of the thoughts of the narrator, and as natural-geographical, ethnographic, cultural content etc. which are so typical for travelogues, although they do not play significant role in this book. The main object for the narrator is not visit to one country or another, but secondary details of the surrounding reality, as well as author’s thoughts inspired by the journey. There are also chapters that deal with things that are not directly related to the journey (for example, domestic violence and infidelity of wives). The travelogue My Son on the Galley stands at the origins of Swedish sentimentalist prose, which was developed at the end of the 18th century.
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瓦伦堡游记《我的儿子在船上》的情节特点
本文研究了瑞典著名游记《我的儿子在船上》(1781)的具体情节特点,雅各布·瓦伦堡在书中描述了他1769年至1771年从瑞典到中国的旅程。本文的分析对象是旅行小说(巴赫金术语)和游记的总体情节结构。结果证明,《我的儿子在船上》是一部线性的、按时间顺序排列的游记。它不仅包括对自身的描述和文献信息(关于叙述者所访问国家的地理和人口位置,对当地自然和传统的描述等),而且还有冒险情节(例如,关于老女仆,被瑞典人的出现吓坏了;关于那艘船,水手们误以为是海盗船,等等)。从主题——旅程——的离题,作为叙述者思想的彩色插图,以及自然地理、民族志、文化内容等,点缀其间,这些都是游记的典型特征,尽管它们在本书中没有发挥重要作用。叙述者的主要目的不是访问一个国家或另一个国家,而是对周围现实的次要细节,以及作者在旅行中所激发的思想。还有一些章节处理与旅程没有直接关系的事情(例如,家庭暴力和妻子的不忠)。游记《我的儿子在船上》代表了瑞典感伤主义散文的起源,这种散文发展于18世纪末。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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