Thinking Outside of the Book: Recycled Book Art at the Library

Markye Barber
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引用次数: 0

Abstract

A 1960s book on Gothic art has been painstakingly cut and spliced with images from Disney’s and Tim Burton’s Alice in Wonderland . Shockingly bright in his black-and-white environment, the March Hare peers out from behind pointed arches, while a pensive blue Caterpillar lounges among the crowds at Golgotha. Next to this, a beat-up hardback copy of Steven King’s The Stand has been transformed into a tome bound in stitched skin, scarred and bleeding, with a milky eye embedded in the cover. The next book is an old encyclopedia volume, whose pages have been folded and sprayed with adhesive to keep them open and stiff: across the fanned-out paper, the artist has stenciled a message: “PRINT IS DEAD.”
书外的思考:图书馆的回收书籍艺术
一本20世纪60年代关于哥特艺术的书被精心剪切和拼接成迪士尼和蒂姆·伯顿的《爱丽丝梦游仙境》中的图像。在黑白相间的环境中,“三月兔”从尖拱后面向外凝视,令人震惊地明亮,而一只忧郁的蓝色毛毛虫在各各他的人群中悠闲地休息。在这幅画旁边,一本破旧的精装本史蒂芬·金(Steven King)的《站着》(The Stand)被改造成了一本用缝合的皮肤装订的大书,伤痕累累,鲜血淋漓,封面上嵌着一只乳白色的眼睛。下一本书是一本古老的百科全书,书页被折叠起来,并喷上粘合剂,使它们保持张开和坚硬:在扇形的纸张上,艺术家用模板印上了一句话:“印刷已死。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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