Each toada represents a missing: a brief history about the use of caipira music in the study of human and social sciences in new high school

Jesus Alexandre Monteiro, Danilo Ferreira Soares
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引用次数: 0

Abstract

This article aims to present a brief history of country music, through qualitative bibliographic research and exhibitions of musical excerpts to offer teachers and other interested parties a path of educational intervention. Music associated with education promotes dynamism in the learning and teaching process. Specifically, country music contextualizes the social relationships of students in rural regions and also in large urban centers. From the Brazilian colonial period, in the mid-16th century to the present day, this musical style adapts and characterizes the historical and chronological times through which it passes. Each country song represents a historical context permeated with culture and sensibility. It is an investigation that explains the didactic and educational potential of the use of country music in the study of human and social sciences within the new high school.
每个toada代表了一个缺失:关于在新高中人文和社会科学研究中使用凯皮拉音乐的简史
本文旨在通过定性的书目研究和音乐节选的展览来呈现乡村音乐的简史,为教师和其他感兴趣的各方提供教育干预的途径。与教育相关的音乐促进了学习和教学过程中的活力。具体来说,乡村音乐将农村地区和大城市中心的学生的社会关系置于语境中。从16世纪中期的巴西殖民时期到现在,这种音乐风格适应了它所经历的历史和时间顺序时代。每首乡村歌曲都代表了一个充满文化和情感的历史背景。这是一项调查,解释了在新高中的人文和社会科学研究中使用乡村音乐的教学和教育潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Tempos e Espacos Educacao
Revista Tempos e Espacos Educacao EDUCATION & EDUCATIONAL RESEARCH-
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发文量
98
审稿时长
20 weeks
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