Redness as Perceived through the Eyes of the Romans

Marta Czapińska-Bambara, Zbigniew Danek
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引用次数: 0

Abstract

The article is an attempt to revise the long-established belief in the alabaster-white exterior shape of Roman antiquity, which in fact turns out to be full of colours that bring life to its image. The authors implement this intention by indicating how intensely the colour red was present in the reality described by classical Latin authors – contrary to the accusation that one of the participants of the discussion on this subject in Aulus Gellius’ Attic Nights (Gell. Noc. Att. 2.26) makes of the alleged poverty regarding various shades of red in Latin terminology. The material presented contradicts the opinion expressed in Gellius’ text, and at the same time makes us realise how colourful and lively the world that emerges from the literary works of the classical Roman period was. In comparison with it, the reality witnessed by the literature of the Christian era – this parallel is what the authors of the article focus on, concluding their deliberations – in which red becomes almost exclusively a sign of shame, turns out to be ascetically sterile and depressingly colourless.
罗马人眼中的红色
这篇文章试图修正人们长期以来对罗马古代雪花石膏白色外观形状的看法,事实上,事实证明,它充满了色彩,给它的形象带来了生命。作者通过表明红色在古典拉丁作家所描述的现实中有多么强烈来实现这一意图——与奥勒斯·格里乌斯的《阁楼之夜》(Gell.)中讨论这一主题的一位参与者的指控相反。Noc。第2.26条)提出了所谓的贫穷关于各种深浅的红色在拉丁术语。所呈现的材料与Gellius文本中表达的观点相矛盾,同时使我们认识到古典罗马时期文学作品中出现的世界是多么丰富多彩和生动活泼。与之相比,基督教时代的文学所见证的现实——这是本文作者在总结他们的讨论时所关注的——红色几乎完全成为羞耻的标志,结果是苦行僧般的贫瘠和令人沮丧的无色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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审稿时长
24 weeks
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