Peter the Great in the Memoirs of Marquis de Dangeau and Duc de Saint-Simon

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
V. Trykov
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引用次数: 0

Abstract

The article for the first time compares the image of Peter the Great in the memoirs of two contemporary French writers Philippe de Courcillon, Marquis de Dangeau (1638‒1720), and Louis de Rouvroy, duc de Saint-Simon (1675–1755). Both Saint- Simon’s continuity in relation to Dangeau’s memoirs and the methods and techniques of their original literary processing are shown. The influence of the writers’ world outlooks and their political views on their interpretations of the figure of Peter the Great is revealed. For Dangeau, Peter the Great was a “curious case”, while for Saint-Simon he was the model of an enlightened monarch, a reigning ascetic striving for knowledge and transformation of his state. In this capacity, Peter the Great is opposed to the depraved and pleasure-seeking French court of the era of the Regency. It has been proved that Saint-Simon stood at the origins of “Peter’s myth” in France. The differences in the poetics of the memoirs of Dangeau and Saint-Simon have been revealed. Dangeau’s laconic and fact-based style emphasizes the mastery of the psychological portrait and the breadth of generalizations of the moralist and thinker Saint-Simon.
彼得大帝在丹格侯爵和圣西门公爵的回忆录中
这篇文章首次比较了同时代法国作家菲利普·德·库尔西永、丹格侯爵(1638-1720)和圣西门公爵路易·德·鲁夫罗伊(1675-1755)回忆录中的彼得大帝形象。无论是圣西门的连续性关系,丹格的回忆录和他们的原始文学处理的方法和技术显示。揭示了作家们的世界观和政治观点对彼得大帝形象诠释的影响。对丹格来说,彼得大帝是一个“奇怪的例子”,而对圣西门来说,他是一个开明君主的典范,一个为知识和国家变革而奋斗的苦行僧。在这个身份上,彼得大帝反对摄政时代堕落和享乐的法国宫廷。事实证明,圣西门是法国“彼得神话”的起源。丹格和圣西门回忆录的诗学差异已经显露出来。丹格的简洁和以事实为基础的风格强调了对心理肖像的掌握和道德家和思想家圣西门的概括广度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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