Moksha song folklore of the Krasnoyarsk Krai and the Republic of Khakassia (on the relationship between autochthonous and migratory folklore traditions)

IF 0.2 0 LANGUAGE & LINGUISTICS
P. S. Shakhov, Igor V. Zubov, Natalya V. Leonova
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Abstract

This paper presents the Mokshan song folklore of Krasnoyarsk Krai and the Republic of Khakassia in terms of autochthonous regional traditions. The analysis of the archive materials, oral data recorded in 2009 and 2012, allowed identifying the places of origin of Siberian migrants: villages of the Yelnikovsky, Krasnoslobodsky, Kovylkinsky, and Zubovo-Polyansky districts of the Republic of Mordovia. Also, the ethnic-local composition of the studied area was determined. Siberia and the Volga region variations of the folklore texts were compared on the thematic and (partially) musical-stylistic levels by studying modern field materials and published autochthonous sources. The materials were organized by genre: carols, round-dance songs, lyrical songs, author songs, fairy-tale prose with insert songs. A comparative analysis of materials from Siberia and the Volga region has shown the similarity between autochthonous and migratory traditions in various genres. For example, the autochthonous Zubovo-Polyansky District and migratory Siberian traditions are united by their genre of carols, as well as late folklore traditions; the original Kovylkinsky District tradition and the migratory tradition have similar round-dance songs. The polylocality of the migratory Siberian community is reflected in their song tradition, with round-dance and lyrical songs playing an important role. These songs are also popular in the Republic of Mordovia in various Moksha Mordvin groups. The Siberian variations of some Moksha lyrics compared to the autochthonous variations have been found to be represented by specific elements of plot composition with strong exposition, indicating a decline in migratory traditions and processes typical for all oral song cultures.
克拉斯诺亚尔斯克边疆区和哈卡斯共和国的莫克沙歌曲民俗(论本土民俗与迁徙民俗传统的关系)
本文以克拉斯诺亚尔斯克边疆区和哈卡斯共和国的木山歌民俗为例,介绍了当地的地域传统。通过对2009年和2012年记录的档案材料和口头数据的分析,确定了西伯利亚移民的原籍地:莫尔多维亚共和国的耶尔尼科夫斯基、克拉斯诺洛博德斯基、科维金斯基和祖博沃-波利扬斯基地区的村庄。同时,确定了研究区域的民族-地方构成。通过对现代田野资料和已出版的地方文献资料的研究,比较了西伯利亚和伏尔加河地区民间文学文本在主题和(部分)音乐风格层面的变化。这些材料是按流派组织的:颂歌、圆舞曲、抒情歌曲、作者歌曲、童话散文和插入歌曲。对西伯利亚和伏尔加河地区材料的比较分析表明,在各种体裁中,本土传统和迁徙传统具有相似性。例如,祖博沃-波利扬斯基地区的土著和迁徙的西伯利亚传统通过他们的颂歌类型以及后期的民间传说传统结合在一起;原始的科维金斯基地区传统和移民传统都有类似的轮舞歌曲。迁徙的西伯利亚社区的多地性反映在他们的歌曲传统中,圆舞曲和抒情歌曲发挥了重要作用。这些歌曲在摩尔多瓦共和国的各种Moksha Mordvin团体中也很受欢迎。一些莫克沙抒情诗的西伯利亚变体与本土变体相比,被发现以具有强烈阐述的情节组成的特定元素为代表,表明所有口头歌曲文化典型的迁移传统和过程的下降。
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来源期刊
Sibirskii Filologicheskii Zhurnal
Sibirskii Filologicheskii Zhurnal LANGUAGE & LINGUISTICS-
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