Towards a history of jazz in Greece in the interwar era

IF 0.1 0 MUSIC

Jazz Research Journal Pub Date : 2016-07-18 DOI:10.1558/jazz.v10i1-2.28405

Panagiota Anagnostou

引用次数: 0

Abstract

The article examines the production, diffusion and reception of jazz in Greece in the interwar era. By examining various press articles, radio programmes and theatre booklets, it reveals unknown aspects of its history and brings into light forgotten sources of the past. It analyses issues of categorization, namely ‘modern’ and ‘popular’ music, the role of Greek theatrical composers, different musical circulations from France and Germany, as well as triangulation effects passing through Italy and Turkey. A certain attention is attributed to the term jazz and its meaning in interwar Greece and some interpretation of its relative oblivion is attempted.

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讲述两次世界大战期间希腊爵士乐的历史

本文考察了两次世界大战期间爵士乐在希腊的产生、传播和接受。通过研究各种新闻文章、广播节目和戏剧小册子，它揭示了其历史中不为人知的方面，并揭示了过去被遗忘的来源。它分析了分类问题，即“现代”和“流行”音乐，希腊戏剧作曲家的角色，来自法国和德国的不同音乐流通，以及通过意大利和土耳其的三角效应。爵士乐一词及其在两次世界大战之间的希腊的意义得到了一定的关注，并试图对其相对遗忘进行一些解释。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Jazz Research Journal MUSIC-

CiteScore

0.30

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0.00%

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期刊介绍： Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.