{"title":"The Trials and Tribulations of Luke Skywalker: How The Walt Disney Co. and Lucasfilm Have Failed to Confront Joseph Campbell’s Troublesome Legacy","authors":"Leonardo Ambasciano","doi":"10.1558/imre.43229","DOIUrl":null,"url":null,"abstract":"The present contribution offers some critical reflections on the influence of Comparative Religion scholar Joseph Campbell’s (1904- 1987) monomyth, or hero’s journey, on George Lucas’ Star Wars space opera. Like other celebrated 20th-century scholars of religion, after his death Campbell was revealed as an ultraconservative racist intellectual. However, Campbell had already been turned into a liberal icon thanks to Lucas’ own sponsorship and active support at least since 1983. After a recap of the recent history of Lucasfilm Ltd. and a brief discussion about the intersection of canon, fandom, and authority in Star Wars, the present article provides a preliminary answer to this puzzling relationship by contextualising Lucas’ own fascination with Campbell’s work within the larger post-war percolation of camouflaged radical-right ideas and authors, especially religious scholars, through Western democratic societies. The article contends that Lucas and new Lucasfilm owner The Walt Disney Co. have so far failed to confront Campbell’s problematic legacy and examines three main options to tackle this moral issue.","PeriodicalId":53963,"journal":{"name":"Implicit Religion","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Implicit Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/imre.43229","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
The present contribution offers some critical reflections on the influence of Comparative Religion scholar Joseph Campbell’s (1904- 1987) monomyth, or hero’s journey, on George Lucas’ Star Wars space opera. Like other celebrated 20th-century scholars of religion, after his death Campbell was revealed as an ultraconservative racist intellectual. However, Campbell had already been turned into a liberal icon thanks to Lucas’ own sponsorship and active support at least since 1983. After a recap of the recent history of Lucasfilm Ltd. and a brief discussion about the intersection of canon, fandom, and authority in Star Wars, the present article provides a preliminary answer to this puzzling relationship by contextualising Lucas’ own fascination with Campbell’s work within the larger post-war percolation of camouflaged radical-right ideas and authors, especially religious scholars, through Western democratic societies. The article contends that Lucas and new Lucasfilm owner The Walt Disney Co. have so far failed to confront Campbell’s problematic legacy and examines three main options to tackle this moral issue.
本文对比较宗教学者约瑟夫·坎贝尔(1904- 1987)的《英雄之旅》对乔治·卢卡斯的《星球大战》太空歌剧的影响进行了一些批判性的反思。与20世纪其他著名的宗教学者一样,坎贝尔死后被揭露为一个极端保守的种族主义知识分子。然而,至少从1983年开始,由于卢卡斯自己的赞助和积极支持,坎贝尔已经变成了一个自由主义的偶像。在回顾卢卡斯电影有限公司最近的历史,并简要讨论了《星球大战》中经典、粉丝和权威的交集之后,本文通过将卢卡斯自己对坎贝尔作品的迷恋置于战后西方民主社会中伪装的激进右翼思想和作者(尤其是宗教学者)的更大渗透背景中,为这种令人困惑的关系提供了初步的答案。这篇文章认为,卢卡斯和卢卡斯影业的新东家华特迪士尼公司(The Walt Disney Co.)迄今未能正视坎贝尔遗留下来的问题,并探讨了解决这一道德问题的三个主要选择。