Perpetrator Trauma as a Possible Solution for Cultural Trauma: The Case of Joshua Oppenheimer’s The Act of Killing (2012) and The Look of Silence (2014)

IF 0.1 Q4 POLITICAL SCIENCE
Yago Paris
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引用次数: 0

Abstract

The present article analyzes Joshua Oppenheimer’s documentaries The Act of Killing (2012) and The Look of Silence (2014) from the perspective of trauma. The aim of this study is to give new approaches that could allow a deeper understanding of such a complex sociopolitical situation as the one that is taking place in nowadays Indonesia. First, I will introduce the term cultural trauma to explain the situation of the victims of the 1965-66 mass killings that took place in Indonesia. Then, I will make use of the concept of the political taboo to better understand how the official narrative imposed by the government has worked, and still works, as some sort of unquestionable myth. Afterward, I will point out that these two concepts give birth to a vicious cycle from which escaping becomes highly unlikely. A possible solution I propose here comes from studying another type of trauma, that of the perpetrator, since, in an indirect way, it can lead to an improvement of cultural trauma. By approaching trauma in a non-moralistic sense, allowing the perpetrator the status of a victim, I intend to highlight the importance of empathy and understanding in the process of healing of not only perpetrator trauma, but also, and more importantly, cultural trauma.
肇事者创伤作为文化创伤的可能解决方案:约书亚·奥本海默的《杀戮演绎》(2012)和《沉默的表情》(2014)的案例
本文从创伤的角度分析约书亚·奥本海默的纪录片《杀戮演绎》(2012)和《沉默的表情》(2014)。这项研究的目的是提供新的方法,使人们能够更深入地了解当今印度尼西亚正在发生的这种复杂的社会政治局势。首先,我将引入“文化创伤”一词来解释1965年至1966年在印度尼西亚发生的大规模屠杀的受害者的情况。然后,我将利用政治禁忌的概念来更好地理解政府强加的官方叙事是如何作为某种不容置疑的神话而起作用的。之后,我将指出,这两个概念产生了一个恶性循环,从中逃脱是极不可能的。我在这里提出的一个可能的解决方案来自于研究另一种类型的创伤,即肇事者的创伤,因为它可以间接地改善文化创伤。通过以非道德的方式处理创伤,允许加害者作为受害者,我想强调在治愈过程中移情和理解的重要性,不仅是加害者的创伤,更重要的是,文化创伤。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Analecta Politica
Analecta Politica POLITICAL SCIENCE-
自引率
0.00%
发文量
19
审稿时长
16 weeks
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