Die ontstaan, opbou en aftakeling van die Sasol Kunsmuseum van die Universiteit Stellenbosch The inception, rise and fall of the Sasol Art Museum of the University of Stellenbosch

IF 0.2 4区 文学 Q4 SOCIAL ISSUES
J. Giliomee
{"title":"Die ontstaan, opbou en aftakeling van die Sasol Kunsmuseum van die Universiteit Stellenbosch The inception, rise and fall of the Sasol Art Museum of the University of Stellenbosch","authors":"J. Giliomee","doi":"10.17159/2224-7912/2022/v62n1a13","DOIUrl":null,"url":null,"abstract":"OPSOMMING Die Sasol Kunsmuseum het in 1991 tot stand gekom om die kunsversameling van die Universiteit van Stellenbosch (US) te huisves en akademies te bevorder. Die werke reeds in besit van die US is aangevul met groot skenkings soos dié van Solomon Caesar Malan, J du P Scholtz en Maggie Laubser. Groot oorsigversamelings van oeuvres soos deur Christo Coetzee (150-stuks), Nel Erasmus (112), Johannes Meintjes (91), en Larry Scully (10) is bekom. Skenkings en erflatings is selfs ook van buitelandse versamelaars ontvang, soos van die Duitser. Peter Freund (uiteindelik ongeveer 100 drukgrafiese werke van belangrike Europese en ander kunstenaars van die vroeë twintigste eeu), en van 'n Nederlandse besoeker die nodige fondse vir die aankoop van 'n kopbeeld in brons deur Rodin. Met die aanstelling van 'n nuwe Direkteur in 2013 het drastiese veranderings mettertyd begin plaasvind. Die name en beroepswerksaamhede van die instansies (Sasol Kunsmuseum en US Kunsgalery) as die belangrikste onderafdelings van die US Museum het letterlik verdwyn. Só ook die oorgrote meerderheid van bogenoemde kunswerke wat blykbaar meestal weggepak bly. Die fokus het verskuif van kunswaardering, -bevordering en -navorsing na 'n polities gemotiveerde transformasie, soos ook blyk uit die US Museum se aanstelling van 'n kurator vir sogenaamde Navorsing, Dialoog en Sosiale Geregtigheid. Hierdie instelling behoort sy akademiese roeping ten opsigte van die uitstalling, uitbreiding, bewaring en ontsluiting van sy belangrike en eersterangse estetiese bronnemateriaal vir die hedendaagse kunsgeskiedskrywing in Suid-Afrika sonder twyfel te bly navolg. ABSTRACT The Sasol Art Museum of the University of Stellenbosch (US) was established in 1991 to house the art collection of the US. At the time the US was already in possession of art pieces from various sources through the years. This included art works donated by students, the Solomon Caesar Malan and Maggie Laubser collections, and the comprehensive collection of Prof. Jdu P Scholtz of South African, European and exotic works of art. During the time of Prof. Muller Ballot as the first Director of the Museum, the collection grew rapidly with outstanding works of art. A number of large collections were donated by prominent artists, e.g. Christo Coetzee (150 items), Nel Erasmus (112), Johannes Meintjes (91) and Larry Scully (10), while bequests of valuable paintings were received from a number of supporters of the museum. Funds were bequeathed by an overseas visitor to buy a sculpture in bronze by the French artist Auguste Rodin. A number of prominent collectors also made donations from their collections, including Peter Freund from Germany who donated about 100 graphic works of important European artists of the early 20th century. With the appointment of a new Director in 2013, drastic changes started to take place. The name of the Sasol Art Museum as the prominent part of the US Museum disappeared and most of the acquired art works were moved to the storage room. The focus shifted from exhibiting artworks, art appreciation and art historical research to political transformation and social justice, as shown by the recent appointment of a Museum Curator: Research, Dialogue and Social Justice. This institution should not forsake its academic calling and should continue to strive to promote the exhibition, expansion, conservation, and study of visual art works as an important and top-ranking source of aesthetic material for research in art history as a present day discipline.","PeriodicalId":42800,"journal":{"name":"Tydskrif Vir Geesteswetenskappe","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tydskrif Vir Geesteswetenskappe","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.17159/2224-7912/2022/v62n1a13","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIAL ISSUES","Score":null,"Total":0}
引用次数: 0

Abstract

OPSOMMING Die Sasol Kunsmuseum het in 1991 tot stand gekom om die kunsversameling van die Universiteit van Stellenbosch (US) te huisves en akademies te bevorder. Die werke reeds in besit van die US is aangevul met groot skenkings soos dié van Solomon Caesar Malan, J du P Scholtz en Maggie Laubser. Groot oorsigversamelings van oeuvres soos deur Christo Coetzee (150-stuks), Nel Erasmus (112), Johannes Meintjes (91), en Larry Scully (10) is bekom. Skenkings en erflatings is selfs ook van buitelandse versamelaars ontvang, soos van die Duitser. Peter Freund (uiteindelik ongeveer 100 drukgrafiese werke van belangrike Europese en ander kunstenaars van die vroeë twintigste eeu), en van 'n Nederlandse besoeker die nodige fondse vir die aankoop van 'n kopbeeld in brons deur Rodin. Met die aanstelling van 'n nuwe Direkteur in 2013 het drastiese veranderings mettertyd begin plaasvind. Die name en beroepswerksaamhede van die instansies (Sasol Kunsmuseum en US Kunsgalery) as die belangrikste onderafdelings van die US Museum het letterlik verdwyn. Só ook die oorgrote meerderheid van bogenoemde kunswerke wat blykbaar meestal weggepak bly. Die fokus het verskuif van kunswaardering, -bevordering en -navorsing na 'n polities gemotiveerde transformasie, soos ook blyk uit die US Museum se aanstelling van 'n kurator vir sogenaamde Navorsing, Dialoog en Sosiale Geregtigheid. Hierdie instelling behoort sy akademiese roeping ten opsigte van die uitstalling, uitbreiding, bewaring en ontsluiting van sy belangrike en eersterangse estetiese bronnemateriaal vir die hedendaagse kunsgeskiedskrywing in Suid-Afrika sonder twyfel te bly navolg. ABSTRACT The Sasol Art Museum of the University of Stellenbosch (US) was established in 1991 to house the art collection of the US. At the time the US was already in possession of art pieces from various sources through the years. This included art works donated by students, the Solomon Caesar Malan and Maggie Laubser collections, and the comprehensive collection of Prof. Jdu P Scholtz of South African, European and exotic works of art. During the time of Prof. Muller Ballot as the first Director of the Museum, the collection grew rapidly with outstanding works of art. A number of large collections were donated by prominent artists, e.g. Christo Coetzee (150 items), Nel Erasmus (112), Johannes Meintjes (91) and Larry Scully (10), while bequests of valuable paintings were received from a number of supporters of the museum. Funds were bequeathed by an overseas visitor to buy a sculpture in bronze by the French artist Auguste Rodin. A number of prominent collectors also made donations from their collections, including Peter Freund from Germany who donated about 100 graphic works of important European artists of the early 20th century. With the appointment of a new Director in 2013, drastic changes started to take place. The name of the Sasol Art Museum as the prominent part of the US Museum disappeared and most of the acquired art works were moved to the storage room. The focus shifted from exhibiting artworks, art appreciation and art historical research to political transformation and social justice, as shown by the recent appointment of a Museum Curator: Research, Dialogue and Social Justice. This institution should not forsake its academic calling and should continue to strive to promote the exhibition, expansion, conservation, and study of visual art works as an important and top-ranking source of aesthetic material for research in art history as a present day discipline.
斯特伦博斯大学萨索尔美术馆的成立与兴衰
1991年,萨索尔·昆斯穆塞姆在美国斯特伦博斯大学担任校长。美国的工作岗位已经充满了大量的扫描,如Solomon Caesar Malan、J du P Scholtz和Maggie Laubser。对克里斯托·科切(Christo Coetzee)(150件)、奈尔·伊拉斯谟(Nel Erasmus)(112件)、约翰内斯·迈恩捷斯(Johannes Meintjes)(91件)和拉里·斯库利(Larry Scully)(10件)等海外藏品进行了全面的综述。阴影和遗产也来自外国收藏家,如德国人。彼得·弗洛伊德(最终不到100件20世纪初欧洲和其他重要艺术家的版画作品),以及一位荷兰探险家,为购买罗丹来源的图像提供了必要的资金。2013年新主任的设立开始了时间上的剧烈变化。作为美国博物馆最重要的细节,这些机构(Sasol Kunsmuseum和美国美术馆)的名称和工作坊已经从字面上消失了。同样,绝大多数考古作品也经常被移走。重点从艺术、宣传和研究转向了政策驱动的转型,以及美国博物馆为所谓的导航、对话和社会正义设立的策展人。这一背景应该包括他对南非传统艺术写作的重要和早期美学素材的安装、扩展、存储和排斥的学术呼吁。摘要美国斯泰伦博斯大学萨索尔美术馆成立于1991年,收藏美国的艺术藏品。多年来,美国已经拥有各种来源的艺术品。其中包括学生捐赠的艺术作品、Solomon Caesar Malan和Maggie Laubser收藏,以及Jdu P Scholtz教授的南非、欧洲和异国艺术作品的综合收藏。在Muller Ballot教授担任博物馆首任馆长期间,收藏迅速增长,涌现出杰出的艺术作品。著名艺术家捐赠了大量藏品,如Christo Coetzee(150件)、Nel Erasmus(112件)、Johannes Meintjes(91件)和Larry Scully(10件),博物馆的一些支持者也捐赠了一些珍贵的画作。一位海外游客遗赠资金,用于购买法国艺术家奥古斯特·罗丹的青铜雕塑。许多著名的收藏家也从他们的藏品中捐款,包括来自德国的彼得·弗洛伊德,他捐赠了大约100件20世纪初欧洲重要艺术家的平面作品。随着2013年任命了一位新的主任,开始发生剧烈的变化。作为美国博物馆重要组成部分的萨索尔美术馆的名字消失了,大部分获得的艺术作品都被转移到了储藏室。重点从展出艺术品、艺术欣赏和艺术历史研究转移到政治转型和社会正义,正如最近任命的博物馆馆长:研究、对话和社会正义所表明的那样。该机构不应放弃其学术使命,应继续努力推动视觉艺术作品的展览、扩展、保护和研究,将其作为当今艺术史研究的重要和一流的美学材料来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
0.40
自引率
0.00%
发文量
57
期刊介绍: Die Tydskrif vir Geesteswetenskappe word gewy aan die publikasie van oorspronklike navorsing en oorsigartikels in die teologie, kuns en kulturele, sosiale, ekonomiese en opvoedkundige wetenskappe, sowel as aan boekbesprekings.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信