DENIS KOPYLOV: PHOTOGRAPHY AS A WAY OF SELF-KNOWLEDGE

S. Stoian
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Abstract

In the article the author analyzes the photo works by Denys Kopylov who directs his gaze deep inside himself, trying to understand his own purpose in this world and focuses his attention on many current socio-cultural problems due to which his art projects are of great interest for fur- ther research in the context of cultural studies. The analysis focuses on his works devoted to the visualization of the ethno-cultural features of the Yavanava tribe, rethinking the role of the Chernobyl disaster in the context of its examination from the point of view of the revival of the animal world of the exclusion zone, recording the events of the military confrontation on the territory of Ukraine, as well as the global rethinking of the role of man on planet Earth and its relationship with the natural world. For Denys turning to photography becomes according to him a philosophy based on observation because observation is one of the basic foundations of all worldview systems. By observing ourselves we can understand our priorities and needs what we cannot live without. Through observation we can feel a kinship with specific natural forms that resonate with our inner self at this very moment in time. And thanks to this con- sonance the photographs begin to radiate an extremely powerful vital energy which in addition to harmonizing the author begins to harmonize the viewer as well. The study of the visualization of existing social and ecological problems in modern Ukrainian photo art is extremely relevant. In this article for the first time the photo works by artist Denys Kopylov was analyzed in the context of cultural studies with the definition of the main vectors of its direction and specificity. It is emphasized that from the reflection of his own travels and the exotic natural world, the author immerses himself in a creative study of the spirit of Indian tribes which is visualized in a modern, authentic artistic manner using innovative authorial approaches in a whole series of works that are gaining recognition both in Ukraine and abroad at prestigious world fairs.
丹尼斯·科皮洛夫:摄影是一种自我认识的方式
在文章中,作者分析了Denys Kopylov的摄影作品,他将目光投向自己内心深处,试图理解自己在这个世界上的目的,并将注意力集中在当前的许多社会文化问题上,因此他的艺术项目对他们在文化研究背景下的研究具有很大的兴趣。分析侧重于他的作品致力于ethno-cultural特性的可视化Yavanava部落,反思的作用切尔诺贝利灾难的背景检查的复苏的观点的隔离区的动物世界,记录的事件乌克兰领土上的军事对抗,以及全球地球上反思人的作用及其与自然世界的关系。对丹尼斯来说,转向摄影在他看来是一种基于观察的哲学因为观察是所有世界观体系的基本基础之一。通过观察我们自己,我们可以了解我们的优先事项和需要,我们不能没有什么。通过观察,我们可以感受到与特定自然形式的亲缘关系,这些形式在此时此刻与我们内心的自我产生共鸣。由于这种和谐,照片开始散发出一种极其强大的生命力,除了使作者和谐之外,也使观者和谐。研究现代乌克兰摄影艺术中存在的社会和生态问题的可视化是非常重要的。本文首次将艺术家丹尼斯·科皮洛夫(Denys Kopylov)的摄影作品置于文化研究的语境中进行分析,并对其方向性和特殊性的主要载体进行了界定。强调的是,从他自己的旅行和异国情调的自然世界的反映,作者沉浸在对印第安部落精神的创造性研究中,这种精神以一种现代的、真实的艺术方式被视觉化,采用创新的作者方法,在一系列作品中获得认可,无论是在乌克兰还是在国外享有声望的世界博览会上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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