ORNAMENTAL MOTIVES OF MODERN DESIGN PRACTICES

O. Rykhlitska, O. Kosyk
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Abstract

The article analyzes modern design practices based on symbolic and ornamental motives of folk art and their modern actualization in ethno-artistic areas, reflecting the relationship of traditional aspects with innovative, symbolic translation of cultural experience in time and space, creating symbolic value images, enhancing emotional environment and creating new narratives. Symbols, as the basis of the existence of the people, reflect the ethno- national aspects of culture, is an opportunity to find yourself at the level of relationship with your people, your nation, traditions. The appeal to archetypes is a special methodological perspective in which the meaning of the future is created due to the transformation of the past into a symbol. What is relevant in modern Ukrainian realities is that the whole cultural paradigm is being reconsidered and new ways of national identification are being sought. Embroidery is marked by a special color and incredible ornamentation, complex performance technique, which is reflected in the symbols of sociocultural practices, immersing in the depths of traditional norms and values that encourage to feel, assimilate, preserve and transmit. In modern domestic discourse, design practices are thought of as aimed at transforming the cultural environment into the integrity of cultural and natural components. They serve as a basis for forming an idea of the world and building harmonious relationships with the world. And the use of symbols-amulets and a certain emotional color is a special process of self-identification and the foundation for the revival of national culture and spiritual values, seeing their own place in the global cultural and artistic space. Therefore, the use of ornamental symbols in design practice is the basis for the revival of national culture and spiritual values and the formation of a new promising direction of Ukrainian design. Among the spiritual heritage of Ukraine with its color and incredible ornamentation, complex technique is embroidery, which is reflected in the symbols-codes of modern socio-cultural practices
现代设计实践的装饰动机
本文分析了基于民间艺术象征性和观赏性动机的现代设计实践及其在民族艺术领域的现代实现,反映了传统方面与文化体验在时间和空间上的创新、象征性翻译、创造象征性价值形象、增强情感环境和创造新的叙事的关系。符号作为人们存在的基础,反映了文化的民族方面,是一个在与你的人民、你的国家、你的传统的关系层面上发现你自己的机会。对原型的呼吁是一种特殊的方法论视角,其中未来的意义是通过将过去转化为象征而创造的。与现代乌克兰现实有关的是,正在重新考虑整个文化范式,并正在寻求新的民族认同方式。刺绣的特点是特殊的色彩和令人难以置信的装饰,复杂的表现技术,反映在社会文化实践的符号中,沉浸在传统规范和价值观的深处,鼓励感受,吸收,保存和传播。在现代家庭话语中,设计实践被认为旨在将文化环境转化为文化和自然组成部分的完整性。它们是形成对世界的观念和与世界建立和谐关系的基础。而符号——护身符和某种情感色彩的运用是一种特殊的自我认同过程,是民族文化和精神价值复兴的基础,在全球文化艺术空间中找到自己的位置。因此,装饰符号在设计实践中的运用是复兴民族文化和精神价值的基础,是乌克兰设计形成新的发展方向的基础。在乌克兰的精神遗产中,它的色彩和令人难以置信的装饰,复杂的技术是刺绣,这反映在现代社会文化实践的符号-代码中
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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