EAST AS A CULTURAL TREND

V. S. Gritsenko
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Abstract

The article is devoted to one of the most complex phenomena of the dialectic of cultural development – individual spiritual identification through the selection and development of individual components of a foreign cultural spiritual resource, in this case – the traditional cultures of China and Japan. Contrary to its predominantly factual scientific consideration in the context of issues of cultural borrowing, "spiritual migration" to the East is analyzed as a stable trend, which has its source in the essential intentions of man, remaining not only constant in the centuries-old past of mankind, but also inescapable in its further cultural movement. In this context, the author considers the historical manifestations of heightened interest in the treasures of the Far Eastern cultural area, its transformation from a simple admiration for exotics to confessing the philosophical and worldview guidelines presented by them. The phenomenon of the cultural trend studied in this way, having demonstrated its ability to identify and preserve spiritual recreation, is revealed in its direct connection with the dialectical processes of the cultural development of mankind. In culturology, fashion and the processes of trend formation belong to the issues of the essential series, because they reveal a person's constant desire for change motivated by self-development. According to historical evidence, the orbit of fashion as a way of cultural identification includes not only material and procedural phenomena, but also cultural and ideological complexes with their own model of worldview and behavioral regulations. The emphasis on them arises from the needs of personal self-identification, problematized by the circumstances of personal or public life. The motive for such a choice is the search for a spiritual optimum conducive to self-realization and inner freedom of self-expression. Its absence forms compensatory "trend nodes", the appearance of which is thus predictable, as well as the resource needed to meet this cultural demand. It is at the disposal of cultures formed on the basis of philosophical and worldview universals that consider man as a significant unit of the universe. Some of them are gone, but the cultural memory of mankind preserves the memory of their legacy left to intellectuals. The existing traditional cultures, which for thousands of years nurtured their spiritual core, becoming a Mecca for the spiritually thirsty, have the integral effectiveness of the resource.
东方是一种文化趋势
本文致力于研究文化发展辩证法中最复杂的现象之一——通过选择和发展外来文化精神资源的个体组成部分,即中国和日本的传统文化,来进行个体精神认同。与它在文化借用问题的背景下以事实为主导的科学考虑相反,“精神移民”向东方被分析为一种稳定的趋势,它源于人类的基本意图,不仅在人类数百年的过去中保持不变,而且在其进一步的文化运动中也不可避免。在此背景下,作者考虑了对远东文化区宝藏的高度兴趣的历史表现,它从对异国情调的简单钦佩转变为承认它们所提供的哲学和世界观准则。这样研究的文化潮流现象,显示出它对精神再创造的识别和保存能力,它与人类文化发展的辩证过程有着直接的联系。在文化学中,时尚和潮流形成的过程属于本质系列的问题,因为它们揭示了一个人在自我发展的驱动下对变化的不断渴望。历史证据表明,时尚作为一种文化认同方式的轨道不仅包括物质和程序现象,还包括具有自己的世界观模式和行为规范的文化和思想情结。对它们的强调源于个人自我认同的需要,而个人或公共生活的环境又使这种需要成为问题。这种选择的动机是寻找一种精神上的最佳状态,有利于自我实现和自我表达的内在自由。它的缺失形成了补偿性的“趋势节点”,因此它的出现是可预测的,同时也是满足这种文化需求所需的资源。它是在哲学和世界观普遍的基础上形成的文化所支配的,这些文化认为人是宇宙的一个重要单位。他们中的一些人已经离开了,但人类的文化记忆保留了他们留给知识分子的遗产。现存的传统文化几千年来滋养了他们的精神内核,成为精神饥渴者的麦加,具有整体的资源效力。
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