THE GOLDEN STANDARD OF THE NATION: THE SIGNIFICANCE OF PERSONIFICATIONS IN THE DESIGN OF NATIONAL CURRENCIES IN EASTERN EUROPE

K. I. Shtalenkova
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Abstract

This article investigates the significance of personifications depicted on national currencies of Eastern Europe in the 19th – 21st cent. Eastern Europe is considered as a region of high research potential due to its status of borderland space with active symbolic struggle on political, socioeconomic and cultural levels. Currency design is an ideological tool that defines collective cultural tradition and historical memory, while national narratives vary in their response to the conditions of their formation. Basing on the visual analysis of money that circulated on the territories of Belarus, Lithuania, Poland, Russia and the Ukraine, the author outlines main categories of human depictions used in the currency design of the states that emerged in the region during the mentioned period. In the 19th cent., most widespread were money of the Russian Empire featuring the emperors and state representation Mother Russia. After the October Revolution in 1917, new states emerged in the region, but no personifications were used in their currency design. Human depictions of that time featured either ordinary people correlating with socialist movements or notable persons denoting political and cultural authenticity of certain state. Another category of human depictions was allegorical feminine figures representing patriarchal values and reproductive resources. Most remarkable examples of this type are Polish coins depicting state representation Polonia (or queen Jadwiga) as well as Polish banknotes with Mother Poland and national heroine Emilia Plater, both issued during the dictatorship of Jósef Piłsudski. Contemporary issues of money use no state representations, preferring instead either notable people, mostly men among them, or introducing other means of cultural representations not related to human depictions. Thus state representations used in the designs of national currencies become less popular in the 21st cent. due to globalisation and de-materialisation of money.
国家的黄金标准:东欧国家货币设计中人格化的意义
本文考察了19 - 21世纪东欧国家货币人格化的意义。东欧由于其在政治、社会经济和文化层面上的象征斗争活跃的边缘空间地位,被认为是一个具有很高研究潜力的地区。货币设计是一种意识形态工具,它定义了集体文化传统和历史记忆,而国家叙事对其形成条件的反应则各不相同。在对白俄罗斯、立陶宛、波兰、俄罗斯和乌克兰境内流通的货币进行视觉分析的基础上,作者概述了上述时期该地区出现的国家货币设计中使用的人物肖像的主要类别。在19世纪,最普遍的是印有皇帝和国家代表俄罗斯母亲的俄罗斯帝国的货币。1917年十月革命后,该地区出现了新的国家,但他们的货币设计中没有使用人格化。那个时代的人物描写要么是与社会主义运动相关的普通人,要么是代表某个国家政治和文化真实性的名人。另一类人类描绘是象征父权价值观和生殖资源的寓言女性形象。这种类型的最显著的例子是波兰硬币描绘国家代表波洛尼亚(或女王雅德维加)以及波兰纸币与波兰母亲和民族英雄艾米莉亚·普拉特,两者都在Jósef Piłsudski独裁统治期间发行。当代发行的货币没有使用国家形象,而是更喜欢名人,其中大多数是男性,或者引入与人类描绘无关的其他文化表现方式。因此,在21世纪,由于全球化和货币的非物质化,国家货币设计中使用的国家代表变得不那么受欢迎了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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