Late Roman emperorship in Constantinople: embodiment and ‘unbodiment’ of Christian virtues

IF 0.2 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Sylvain Destephen
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引用次数: 0

Abstract

Abstract The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power.
君士坦丁堡的罗马帝国晚期:基督教美德的化身与“非化身”
在最近的许多出版物中,关于晚期古代最后雕像的文献价值问题一直有很多争论。这篇文章有助于这一辩论和地址皇帝的雕像及其关系的发展基督教神学的罗马帝国晚期。传统上,雕像展示了罗马皇帝的军事、法律和经济权力,他们被描绘成将军、法官或恩人。令人惊讶的是,皇权的基督教化似乎对皇帝的官方肖像影响有限。宗教层面很少出现在雕像上,尽管它们在古代晚期变得越来越罕见。虽然文学资料,尤其是基督教资料,越来越多地提到皇帝的个人虔诚和谦逊,特别是在君士坦丁堡的纪念背景下,皇帝的雕像仍然忠于传统的权力形象,消除了身体上的弱点,体现了专制权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
BYZANTINISCHE ZEITSCHRIFT
BYZANTINISCHE ZEITSCHRIFT MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
33.30%
发文量
48
期刊介绍: Steeped in tradition, this organ of international Byzantine studies covers literature, history and art history, including the related and peripheral disciplines, equally in all sections (essays, reviews, bibliographies) and thus contributes significantly to the support and development of Byzantine Studies.
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