"Os cantores do Senhor": três trajetórias em um processo de industrialização da música evangélica no Brasil

Robson Rodrigues de Paula
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引用次数: 11

Abstract

Over the two past decades, in special, several companies from different production areas, aiming to reach the evangelical segment, which is expanding rapidly in Brazil, have specialized in manufacturing evangelical products. Among these companies, the music industry has given an outstanding contribution, as well as the radios in this segment, in order to adopt a more industrial style in the production and broadcasting of the evangelical albums. Through the analysis of the career of three Gospel singers, the objective of this article is to understand the way these artists are behaving regarding the new professional conditions previously mentioned. Besides, our intention is also to point out some problems and "ruptures" occurring in the musical universe of the evangelists, since a mercantile and industrial logic was incorporated to this universe.
“主的歌手”:巴西福音音乐工业化进程中的三条轨迹
特别是在过去的二十年里,来自不同生产领域的几家公司,旨在进入在巴西迅速扩张的福音派市场,专门生产福音派产品。在这些公司中,音乐行业做出了突出的贡献,收音机也在这一领域做出了突出的贡献,以便在福音派专辑的制作和广播中采用更加工业化的风格。通过对三位福音歌手的职业生涯的分析,本文的目的是了解这些艺术家在前面提到的新的职业条件下的行为方式。此外,我们也想指出福音传教士的音乐世界中出现的一些问题和“破裂”,因为商业和工业逻辑被纳入了这个世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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