Cercados, the documentary: between facts and lies, between press and discourses

Ana Sílvia Lopes Davi Médola, Taíssa Maria Tavares Guerreiro
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引用次数: 0

Abstract

Abstract In the context of the COVID-19 pandemic in Brazil, the clash and resistance of the press to the attacks and aggression by the deniers was evident. The documentary Cercados, produced by Globoplay, object of analysis of this work, portrays the challenges behind the scenes of the news coverage in the first year of pandemic in Brazil. Supported by concepts of enunciation theory and television studies, this paper aims to reflect on the effects of meaning produced by the audiovisual text and its contribution to critical reflection about the disinformation scenario, as well as the relevance of journalism as an institution of the democratic system. The results indicate that the organization of the discourse, marked by the aesthetics of self-referentiality, allows the enunciatee to enter the universe of journalistic production and identify with the thematic roles played by journalists.
纪录片《Cercados》:在事实与谎言之间,在媒体与言论之间
在巴西新冠肺炎疫情大流行的背景下,媒体对否认者的攻击和侵略的冲突和抵抗显而易见。这项工作的分析对象Globoplay制作的纪录片《Cercados》描绘了巴西大流行第一年新闻报道背后的挑战。在表述理论和电视研究概念的支持下,本文旨在反思视听文本产生的意义的影响及其对虚假信息情景的批判性反思的贡献,以及新闻作为民主制度制度的相关性。研究结果表明,以自我指涉美学为标志的话语组织使话语者进入新闻生产的宇宙,并认同记者所扮演的主题角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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