Finger-Rings with the Image of Cross from the Second Half of Sixth and Seventh Centuries from the South-Western Crimea

Q2 Arts and Humanities
E. Khairedinova
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Abstract

In the second half of 6 th -7 th centuries in the South-Western Crimea, finger rings imported from Byzantium and produced in the local workshops on imported patterns with a cross were popular with Goth-Alanian population. According to the peculiarities of the image, they are presented in four variants: A - with a deeply cut equal-ended cross with flared tips; Б - with a cross formed by engraved geometric figures; B - with a cross formed by thin mortise lines with cross lines at the ends; Г - with a cross-shaped flap with flared ends, the surface of which is inlaid with glass. The finger rings with the cross originating from the Crimea belonged to male warriors and young women who had a high social status. Most of the finger rings come from female burials. Women wore them on their hands, as a rule, on the right index finger and in the breast necklaces that connected fibulas. The image of the cross was not used for decorating objects. The cross, first of all, is a religious symbol, a sign of belonging to a Christian denomination. Apparently, the finger rings with the image of the cross were not a simple piece of jewellery, but in the view of the people wearing them, they were equated with the subject of personal piety, served as a kind of analogue to the cross under clothes. In addition, the cross in its very symbolism performed a protective function. The image of the cross on the shield of the ring endowed the item of jewellery with the properties of an amulet that protected the person who wore it from all misfortunes. The study of finger rings allows us not only to expand knowledge about the items of jewellery that existed in the early medieval time, but also adds to our knowledge of everyday life and the beliefs of the inhabitants of the early medieval Crimea. Findings of this kind testify to the unity of culture in the Christian world and are a good example of the close economic and cultural ties of Crimea with the Byzantine Empire in the early Middle Ages.
克里米亚西南部六、七世纪下半叶带有十字架图案的戒指
6 -7世纪下半叶,在克里米亚西南部,从拜占庭进口并在当地作坊以进口的十字架图案制作的戒指受到哥特-阿兰人的欢迎。根据图像的特点,它们有四种变体:A -具有深切的等头十字形,尖端呈喇叭状;Б -由雕刻的几何图形形成的十字架;B -由两端有交叉线的细榫头形成的十字形;Г -有一个十字形状的皮瓣与喇叭的两端,其表面镶嵌着玻璃。带有十字架的戒指起源于克里米亚,属于社会地位较高的男性战士和年轻女性。大多数的戒指来自女性的墓葬。女性通常把它们戴在手上,戴在右手食指上,戴在连接腓骨的胸项链上。十字架的形象不是用来装饰物品的。首先,十字架是一种宗教符号,是属于基督教教派的标志。显然,带有十字架图案的戒指并不是一件简单的首饰,但在佩戴者看来,它们与个人虔诚的主题等同起来,就像衣服里的十字架一样。此外,十字架在其象征意义上发挥了保护作用。戒指护盾上的十字架图案赋予了这种珠宝一种护身符的属性,可以保护佩戴它的人免受一切不幸。对戒指的研究不仅使我们扩大了对中世纪早期存在的珠宝物品的了解,而且增加了我们对中世纪早期克里米亚居民的日常生活和信仰的了解。这些发现证明了基督教世界文化的统一,是中世纪早期克里米亚与拜占庭帝国密切的经济和文化联系的一个很好的例子。
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来源期刊
Antichnaia drevnost'' i srednie veka
Antichnaia drevnost'' i srednie veka Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.40
自引率
0.00%
发文量
20
审稿时长
22 weeks
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