Maironis tarpukario Lietuvos mokykloje

Viktorija Šeina
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Abstract

The position of Maironis (born Jonas Maciulis, 1862-1932) as the main classic author of Lithuanian literature in the interwar school curriculum emerged only at the end of the 1930s. One of the reasons for such a relatively late canonization in schools was the fact that the first histories of Lithuanian literature published before the restoration of Lithuanian statehood did not mention Maironis’ works. Starting in the mid-1930s, Maironis’s works, a collection of poems, Pavasario balsai (Voices of Spring), and a poem, Jaunoji Lietuva (Young Lithuania), were made mandatory in the curriculum of Lithuanian schools. After 1936, a poem Raseinių Magdė (Magdė from Raseiniai) was added to the list. The canonical status of Voices of Spring in the curriculum does not raise questions, since even before World War I Maironis has been recognized by critics as the most prominent poet of his generation. Meanwhile, his poems received a different welcome. It seems that Young Lithuania was added to the curriculum because of its historic role in reviving Lithuanian national awareness, while Magdė from Raseiniai was included in the list of mandatory works in pursuance of the reform of education which goal was to expand the number of literary works from the era of national revival and to strengthen nationality and patriotism in the school. The semantic axis of Maironis’ biographical narrative in curriculum is Lithuanianness with less emphasis on the vocation of a priest and poet. The specific presentation of Maironis’ biography in Lithuanian schools and the evaluation of his works were determined by general trends of the interwar Lithuanian culture. During that period, the national revival had taken a central place in collective memory, therefore the most prominent poet of that time, who made a significant contribution in reviving national feelings of general population, was first of all introduced to the students through his works’ social significance. Keywords: Maironis, literary canon in school curriculum, semantic canon, literary didactics, historical memory. DOI:  http://dx.doi.org/10.15823/zz.2017.10
Maironis tarpukario立陶宛学校
Maironis(原名Jonas Maciulis, 1862-1932)在两次世界大战之间的学校课程中作为立陶宛文学的主要经典作家的地位直到20世纪30年代末才出现。学校之所以将其封为圣徒的时间相对较晚,原因之一是立陶宛恢复国家地位之前出版的第一部立陶宛文学史并没有提到Maironis的作品。从20世纪30年代中期开始,Maironis的诗集《春之声》(Pavasario balsai)和一首诗《年轻的立陶宛》(Jaunoji Lietuva)成为立陶宛学校必修课程。1936年以后,一首诗raseinii magdnik(来自Raseiniai的magdnik)被添加到列表中。《春之声》在课程中的权威地位并没有引起质疑,因为即使在第一次世界大战之前,马伦尼斯就被评论家认为是他那一代最杰出的诗人。与此同时,他的诗歌受到了不同的欢迎。《年轻的立陶宛》之所以被列入课程,似乎是因为它在复兴立陶宛民族意识方面所起的历史作用,而《来自Raseiniai的magd立陶宛》则被列入必修作品清单,是为了推行教育改革,其目的是扩大民族复兴时期的文学作品数量,并加强学校的民族主义和爱国主义。马罗尼斯在课程中传记叙事的语义轴是立陶宛性,较少强调牧师和诗人的职业。立陶宛学派对马罗尼斯传记的具体介绍和对其作品的评价是由两次世界大战之间立陶宛文化的总体趋势决定的。在这一时期,民族复兴在集体记忆中占据了中心位置,因此,首先通过他的作品的社会意义向学生们介绍了这位当时最杰出的诗人,他在复兴普通民众的民族感情方面做出了重大贡献。关键词:Maironis,学校课程文学经典,语义经典,文学教学,历史记忆。DOI: http://dx.doi.org/10.15823/zz.2017.10
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